This is a brilliant blog post about the Heaven and Hell Coffee Bar in Soho. Sadly not with us anymore. Check it out!!
This film was part of the ‘Rediscoveries and Restorations’ programme at the 2017 Le Giornate del Cinema Muto. In the Brochure it was one of two films titled ‘The Red Peril’, an apparent witticism that seem inappropriate just before the Centenary of The Great October Revolution. This film at least had the merit of being less virulent than the second title, The World and its Woman (also 1919).
Kevin Brownlow, in the Festival Catalogue, recorded that
“1919 was the year of the Red Scare, when Holubar [the director and co-writer] exchanged the Hun as villain with the Bolshevik, in one of the many political films that appeared just before the movies rejected “message pictures” and embraced the Jazz Age. …. the film was not an anti-Bolshevik hate picture. It was unique in presenting not only good and bad Capitalists but good and bad Communists.”
Whilst Kevin Brownlow…
View original post 1,319 more words
“I watched the movie many, many times, but when it came to reading Be Here Now, it was so over my head. I loved the artistic presentation and illustrations, but every time I tried to read it, I had no idea what it was talking about. So it sat on a shelf alongside all my other books, and every once in a while I’d catch the title out of the corner of my eye and feel guilty for never reading it. In case you haven’t read it, Be Here Now is a pretty ‘far out’ book. Written in the early 70’s, it begins with some background about Dass himself: how he was a professor at Harvard, and his work at the forefront of the 60’s LSD research and experimentation movement. Dass says things that might alienate or scare off a person who didn’t live through the Sixties, or who…
View original post 286 more words
“This year marks the 50th anniversary of the publication of Coney Island of the Mind, Lawrence Ferlinghetti’s landmark second volume of poetry. In commemoration, New Directions has recently released a new hardback edition of the book, complete with a CD of the author reading the bulk of its poems, as well as selections from Pictures of the Gone World, his first collection of verse. Such an elaborate republication is highly appropriate–for time has revealed Coney Island of the Mind to be not only a book of great cultural importance, but also a major classic of modern poetry. As a social phenomenon Coney Island of the Mind is truly remarkable. With roughly a million copies in print, few poetry collections come anywhere close to matching its readership. Raw sales, though, only tell part of the story. Along with Jack Kerouac’s On the Road and Allen Ginsberg’s Howl…
View original post 150 more words