By Alex Ross (New Yorker Magazine) In September, 1974, Bob Dylan spent four days in the old Studio A, his favorite recording haunt in Manhattan, and emerged with the greatest, darkest … Continue reading Bob Dylan’s Masterpiece, “Blood on the Tracks,” Is Still Hard to Find | The New Yorker
By Jeff Slate The New York sessions for Bob Dylan’s 1975 album, “Blood on the Tracks,” have always been ground zero for Dylan’s reputation as a cipher and a curmudgeon … Continue reading Bob Dylan’s First Day with “Tangled Up in Blue” | The New Yorker
Cut-Up, European Avant Garde, Jeff Nuttall, Little Magazine, Mimeo, My Own Mag, William Burroughs Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting In the introduction to the bibliography of his work prepared … Continue reading My Own Mag | RealityStudio
Originally posted on 1960s: Days of Rage:
“This year marks the 50th anniversary of the publication of Coney Island of the Mind, Lawrence Ferlinghetti’s landmark second volume of poetry. In…
This is a video of my talk at BRLSI in July. It’s not great quality but you get the whole thing! I originally put it on YouTube but it got … Continue reading Kenny Wilson at Bath Royal Literary and Scientific Institution 12th July 2017
I am doing a talk at The Secular Hall, Humberstone Gate, Leicester on the 6th October 7.00 p.m. Hope you can make it. It should last about an hour including … Continue reading The 1960s Counterculture in Britain and America – a talk by Kenny Wilson at Secular Hall, Leicester on October 6th 7.00 p.m.
Frederick Tipping is a song by Steve Cartwright about the Great War sung by Nick and Debbie Morse and produced by Kenny Wilson.