Here are some recordings of Bob Dylan songs that I did a while back. This Sunday 24th May 2020 I will be doing a live session of Dylan songs on my Facebook Page. It is part of the “Bob Dylan’s Week” festival in Florence, Italy that I am unable to attend because of the dreaded virus! Check it out 14:00 in U.K. and 15:00 Italy.
Here’s an old song and recording from the late 90s that I have just re-released. Currently on Soundcloud but will be available on Spotify and all online stores soon. Song written by Kenny Wilson and played and recorded by Leicester Blues-Rock group “The Lizzards” featuring Kenny Wilson Guitar/Vocals, Jim Gamble Guitar, Jenny Carter Bass, Peter Houtman Keyboard, Graham Summers Drums.
I recently posted a piano arrangement of this. Well, I had a request to do a vocal version. So here it is, recorded in my home studio with me playing all the instruments. It is a wonderfully evocative song that I first learnt when I was at school.
While I am in lock down from the dreaded Corona Virus I have decided to compose pieces and arrangements for the piano. A new venture for me. Hope you like it!
Here are some more recent recordings by Kenny Wilson on Soundcloud. You can also find them on Spotify, YouTube Music and Apple Music as well. Give them a listen!
Two new songs recently released by Kenny Wilson available on Spotify, Amazon and Apple Music. Listen to them in their entirety here. Produced and Recorded in his home studio in Leicester, U.K. February 2020.
Builder of Dreams
Reviewed by Jessie Mann
If you had asked me where I was on Saturday 5th January, I would have been inclined to say at a club in the heart of Paris. Listening to the band, Parisian Swing, I was honestly transported to another time and place, taking in the rich sound of the 1930’s Parisian Gypsy Jazz era.
Being the first band to perform at The Musician in Leicester this year, they certainly kicked off 2019 with a SWING!
The four greatly talented band members performed to an enthusiastic audience that sat at little tables by candlelight and soaked in the atmosphere the musicians created.
With Arthur Tyers and Will Smith on Guitar, Kenny Wilson on the Accordion/vocals, and Mike Whittle on the Double Bass/vocals, this set up was all you needed to listen to some of Django Reinhardt’s most famous songs.
Nuages, a Django classic, set a slow, rich and velvety mood for the couples in the crowd and then the juxtaposition of Mack the Knife, described as ‘a mean song about a mean person’ brought laughter and bounce even over its darker lyrics. Beautifully played with speed and accuracy, each note was phenomenal from the guitars. Smith and Tyers were able to play incredibly fast but each note reached the audience perfectly.
Mike Whittle on the bass enchanted us all with his charisma and passionate dancing with his instrument throughout the evening. During the song It had to be you, each instrument had time to truly be appreciated as the focus was passed from the guitars to the bass, to the accordion. You were able to single out the gifts of each of the band members and appreciate how much talent and hard work goes into what they do.
My favourite song of the night had to be Autumn Leaves, originally by Edith Piaf, which Parisian Swing played with beautiful romantic justice. The audience was transported to a café in Paris with Kenny Wilson’s French vocals and accordion tying the scene together with Parisian passion.
The band played 18 songs from 8:30 onwards with a break halfway in which Music in Leicester was able to interview Mike and Kenny who were buzzing from their first half.
With a quick ‘one-two-three’ the band were off in full swing with upbeat lifts that you couldn’t help tapping and nodding your head too.
The band also played Sweet Sue, Honeysuckle Rose, Minor Swing, Just a Gigolo, Douce Ambiance, Lady be Good and After You’ve Gone. The mix was a real treat for the crowd to experience a taste of the best of Parisian Gyspy Jazz.
After two ‘last’ songs from the band (as the audience asked for more) the evening concluded at 11 and I’m sure many people will be having jazzy-dreams for a long time to come!
I wish the best for Parisian Swing and hope to hear them again!
Bonne chance mes amis!
In his book No One Else Could Play That Tune Clinton Heylin notes that the only contemporary radio interview in which Bob Dylan discussed Blood On The Tracks was with Mary Travers but he carefully steered her away from it after a brief exchange. This is said interview (just the talk, the commercials and music are edited out). They also talk Woody Guthrie, topical songs, and about the then forthcoming Basement Tapes release. At one stage the conversation gets a little philosophical until Bob points out to Travers that she is crossing another one of his red lines.