All Tomorrow’s Parties: The Warhol Years 1965–1967| PopMatters|Peter Hogan

In meeting Andy Warhol, the Velvets acquired what few fledgling bands have been lucky enough to achieve: a wealthy patron. In addition, Warhol’s Factory, populated by an enormous range of people of varying talents, provided a fertile cross-pollination of ideas and personalities, whilst also constituting a powerful PR machine. Enter Nico For John Cale, Andy…

Within Our Gates, USA 1920

Originally posted on Early & Silent Film:
Within Our Gates is a riposte to the racism and white supremacy of D. W. Griffith’s The Birth of a Nation (1915). It is likely that Oscar Micheaux deliberately derived the title from a 1919 Griffith film, A Romance of Happy Valley, which contains the epigraph: ‘Harm not…

Ménilmontant, France 1926.

Originally posted on Early & Silent Film:
This title was screened at e Giornate del Cinema Muto 2017 in ‘The Canon Revisited’. We watched a DCP sourced from a 35mm distribution print. The film had been re-edited by a distributor adding intertitles in the 1928: we saw the original version without intertitles. And alternative title…

Bonnie and Clyde – Arthur Penn (1967)

Originally posted on 1960s: Days of Rage:
“Bonnie and Clyde is a 1967 American biographical crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film features Michael J. Pollard, Gene Hackman, and Estelle Parsons, with Denver Pyle, Dub Taylor, Gene Wilder,…

The Right to Happiness, USA 1919

Originally posted on Early & Silent Film:
Red heroine, Sonia. This film was part of the ‘Rediscoveries and Restorations’ programme at the 2017 Le Giornate del Cinema Muto. In the Brochure it was one of two films titled ‘The Red Peril’, an apparent witticism that seem inappropriate just before the Centenary of The Great October…

John Cale on Making Leonard Cohen’s ‘Hallelujah’ a Classic

Leonard Cohen struggled to unlock the potential of “Hallelujah”—it was John Cale who held the key Source: John Cale on Making Leonard Cohen’s ‘Hallelujah’ a Classic Leonard Cohen’s “Hallelujah” was a complex, nearly indecipherable musical riddle that flummoxed even its composer. Originally released as a funereal synth-laden dirge on 1984’s Various Positions, he spent years tinkering with the track…