In the past few weeks I have been reading widely about the 1960s Counterculture both here and in America. This interest was inspired by two things. Writing an account of My Life in Music, which included my experience of the Counterculture in Leicester, and visiting an exhibition of sculptures by Francis Upritchard at Nottingham Contemporary and seeing James Riley’s talk about the perceived end of the Counterculture into “bad craziness” in the early 1970s.
My original piece was just based on memory with no reference to any other sources but I was struck by how close my experience was to the sequence of events described by James Riley. I was also intrigued by Francis Upritchard’s description of hippies in New Zealand when she says that “all the things that hippies hoped would happen, or felt might happen, didn’t.” In one sense her exhibition is about the failure of the 1960s and 70s counter-culture that is still celebrated at festivals – and its gaudy, individualistic “alternative” aftermath.
At this point it might be worthwhile to describe what I think the Counterculture is (or was). The Counterculture appeared in the 1960s both in the UK and America and became influential throughout the Western World and also in Eastern Europe. It’s protaganists were mainly young but there were significant influences from older artists and intellectuals. It’s not really clear why or how it came about but it epitomised what became known as the Generation Gap. This could be described as the difference between people who became adults before World War 2 and those who were adults after it.
Jeff Nuttall in his seminal book Bomb Culture(1968) thinks that alternative attitudes in the UK grew out of the shadow and fear of the H Bomb. As the Cold War developed there was a constant reminder with the proliferation of nuclear weapons that the World could end any minute. This lead to massive demonstrations in the UK organised by CND (The Aldermaston Marches). Although these were attended by many thousands of people it became clear by the early sixties that the government had no intention of disarming or stopping the arms race. This lead to disillusionment and a feeling of alienation. Many young people began to reject the growing Affluent Societyand started creating their own culture much to the bewilderment of the older generation who, as Prime Minister Harold Macmillan said at the time, had “never had it so good”. A youth subculture emerged called The Beatniks by the press. They grew their hair, played trad jazz and folk music, frequented coffee bars and hitchhiked around the country, influenced by American beat writers like Jack Kerouac. In the UK this is where the Counterculture had it’s roots. Here is an unintentionally hilarious TV report about Beatniks in Cornwall in 1960:
Of note in this film is the playing and singing of Whiz Jones. You may think he is influenced by Bob Dylan but you’d be wrong. It was two years before Dylan’s first album was released, he hadn’t even arrived in New York by then. The guitar and singing style was undoubtedly learnt from American folk singer Ramblin’ Jack Elliot who was in England at the time and influenced a whole generation of British guitarists including Donovan (he was also a big influence on Bob Dylan!).
The roots of the American Counterculture are slightly different. Although there was the same fear of nuclear annihilation especially with the Cuban Missile Crisisof 1962 when the Soviet Union based nuclear missiles in Cuba within easy reach of the USA. Another factor was the Civil Rights Movement that was working to end racial segregation in the South and also the Vietnam War especially when conscription was accelerated from 1964. Out of this milieu a counterculture was created that eventually became what are known asHippies. This movement had a profound effect both in America and the rest of the World during the 1960s and it’s legacy has continued until now as I hope to demonstrate.
The UK and American countercultures influenced each other. Initially, the British counterculture imitated the Americans especially in the areas of poetry and the creation of Underground newspapers and magazines. As time progressed the British started influencing the Americans especially in the areas of art, fashion and music. The Beatles became the most popular and influential group in the World and embraced many countercultural ideas like drugs, mysticism and experimentalism. Paul McCartney was closely linked to the English Underground and was a main financier of the International Times, an important countercultural paper that had a wide distribution. Pink Floydemerged out of the British Underground with their take on psychedelic rock and, again, eventually became one of the most popular groups in the World.
The name Underground started to be increasingly used for the Counterculture although, really, this was a misnomer. The main players and self styled leaders were media savvy and natural experts in self promotion. (This was especially true of American Yippies Abbie Hoffman and Jerry Rubin. They achieved international fame at the Chicago Conspiracy Trial where the American justice system managed to appear both brutal and ridiculous. In a rare display of humour a member of the conventional left described their antics as Groucho Marxism!) It never really became underground until the 1970s when the mainstream media and press began to lose interest in it.
The Underground did not have a coherent political agenda. Although there was much talk of Revolution it was not clear what this really meant. This was true both in Britain and America. It definitely did not mean the same thing as what the old left referred to . The Communist states were seen as no better than the Capitalist ones and probably worse. Even Cuba, apart from the love for Che Guevara (who in the spirit of rock n roll died young and left a good looking corpse. He became the poster boy of the Revolution with his long hair and revolutionary beret!) was treated with suspicion. There was no strict ideology but general beliefs in the use of drugs (particularly marijuana and LSD), rejection of alcohol, free love, anti-war, anti-materialism, anti-consumerism, individualism, creativity, opposition to alienating work, rejection of television and advertising, caring for and living with the natural environment etc. The list could get very long and forms a general philosophy which is hard to formally categorise. The Revolution consisted of all these things. Slogans appeared that would have done justice to the best copywriters of Madison Avenue like “make love not war”, “turn on, tune in, drop out” and “do your own thing”.
So, why did the Revolution fail and where did it go wrong? Conventional wisdom would say that three events in 1969 caused a massive shift in attitudes. The infamous Charles Manson murders, The Woodstock Festival and the killing of a member of the audience by Hell’s Angels at Altamont Free Festival. The death of 60s idealism and the lost innocence of rock n roll is the theme of Don McLean’s song American Pie.
Charles Manson and his Family inverted the ideas of a hippy commune and went on a killing spree based on a psychotic interpretation of the Beatles White Album.
Woodstock is widely seen as the epitome and apotheosis of the Love Generation but can also be seen as the start of a megalithic, bloated and commercial music industry involving large scale festivals and stadium gigs. In order to attract popular acts large amounts of money were paid. Jimi Hendrix is reputed to have received $50,000, an incredible amount at the time equivalent to more than half a million now. Joan Baez virtually destroyed her credibility by accepting $10,000 even though she was using much of her own money to support radical causes. The festival made a colossal loss although that was recouped by subsequent sales of the film rights and DVD. A very interesting book about the making of this festival is Barefoot in Babylon by Robert Stephen Fitz. Rather than the music being an expression of the Counterculture a new commercial aristocracy was formed. The divorce between the music and the Counterculture was perhaps most symbolically shown when Pete Townshend of the Who knocked Abbie Hoffman off thestage with his guitar when Hoffman invaded the stage and tried to make an impromptu speech. It affected both people for years afterwards and effectively ended Hoffman’s political career. The clown prince of politics had been made to appear ridiculous and ineffective! Pete Townshend showed he wasn’t too enamoured with peace and love as this audio clip shows.
To deflect criticism of the cost of tickets on their 1969 tour of America the Rolling Stones gave a free concert at Altamont Speedway in California. This remarkably badly organised festival has become immortalised in the film Gimme Shelter (No, the Revolution wasn’t televised but it was often caught on film, which provided a good source of income from “Free” Festivals. The Stones had already done this with the Hyde Park Free Festival). The general air of chaos and violence is palpable with at least three deaths and a murder.
However, I don’t subscribe to conventional wisdom. Nor do I think that the Counterculture ended in 1969. As James Riley has said these events could just be coincidence and don’t signify anything. Personally, I think that after 1972 the Counterculture actually did go Underground. It was no longer really visible and it also became separated from the Music Industry which had become a large and profitable globalised industry. The press and media also lost interest until it gained notoriety again in the 1980s as the Peace Convoyand the New Age Travellers. This culminated in the savagery and brutality of mainstream culture under Thatcherism at the Battle of the Beanfield. This is an Observer article about this event twenty years later:
“* Tony Thompson, crime correspondent * The Observer, Sunday 12 June 2005
It looked just like a carnival – at first. The weather was sunny and music played as the 140 vehicles set off towards Stonehenge. The 600 or so Travellers were on their way to attend the annual free festival on squatted land beside the ancient stones.
A few hours later the convoy had been ambushed by more than 1,300 police officers; dozens of Travellers were injured, all but a handful were arrested, and every one of their vehicles was destroyed.
This month marks the 20th anniversary of what has become known as the Battle of the Beanfield. Despite four months’ planning, the police operation to stop the convoy was a shambles. Faulty police intelligence suggested the Travellers were armed with chainsaws, hammers, petrol bombs and even firearms. All this information was false.
Plans to stop the convoy near the A303 collapsed when a convoy outrider spotted the roadblock and directed the travellers down a side road, where they encountered a second roadblock. After a first wave of violent assaults by the police, in which windscreens were smashed and the occupants dragged out screaming, most of the vehicles broke into a neighbouring field, derailing the police plan further.
For the next four hours there was a standoff, while Assistant Chief Constable Lionel Grundy, the officer in charge, insisted all Travellers had to be arrested.
The final assault began at 7pm, by which time all the officers had changed into riot gear. Pregnant women were clubbed with truncheons, as were those holding babies. The journalist Nick Davies, then working for The Observer, saw the violence. ‘They were like flies around rotten meat,’ he wrote, ‘and there was no question of trying to make a lawful arrest. They crawled all over, truncheons flailing, hitting anybody they could reach. It was extremely violent and very sickening.’
When some of those remaining tried to get away, driving their vehicles through the beanfield, the police threw anything they could lay their hands on – fire extinguishers, stones, shields and truncheons – at them in order to bring them to a halt. The empty vehicles were then systematically smashed to pieces and several were set on fire. Seven healthy dogs belonging to the Travellers were put down by officers from the RSPCA. In total, 537 people were arrested – the most arrests to take place on any single day since the Second World War.
All those arrested were charged with obstruction of the police and the highway, but most of the charges were dismissed in the courts. The Travellers’ unexpected saviour was the Earl of Cardigan, whose family owned the forest where the convoy had stayed the night before. Cardigan had tagged along out of interest, and his descriptions of the violence prevented what might otherwise have become a major miscarriage of justice.
Cardigan recalled that in many cases ‘the smashing up of the vehicles and the instructions to ‘Get Out! Get Out! Get Out!’ and hand over your keys were given simultaneously and therefore there was no chance to understand what was being shouted at you, and to comply before your vehicle started disintegrating around you with your windscreen broken in and your side panels beaten by truncheons and so on.’
It remains a mystery why the police felt compelled to use such violence. With evidence that radio logs of conversations between officers on the day have been altered, the full story may never be known.
‘The Battle of the Beanfield remains a black day for British justice and civil liberties,’ says Andy Worthington, whose book on the event is published this week. ‘From the anti-Traveller legislation of the 1986 Public Order Act and the 1994 Criminal Justice Act to the current hysteria surrounding Gypsy and traveller settlements, the repercussions are still being felt.‘”
The 1986 Public Order Act caused many New Age Travellers to leave England to more tolerant places like Spain and New Zealand. Interestingly, the hippies that Francis Upritchard came across may have been refugees from this time.
Margaret Thatcher was an enigma. Behind the authoritarian Iron Lady facade she wasn’t even really a Tory. She is considered to be the first of what are called conviction politicians. She appeared motivated by a mission and set of beliefs. Tony Blair and David Cameron have also used this approach and in some ways are seen as her successors. Thatcher’s beliefs had more to do with 19th Century Economic Liberalism than traditional Tory concerns. Her mission was to restore the British nation to it’s former glory and roll back the tide of National Debt, Trade Unions holding the country to ransom and encourage Free Trade and Private Enterprise. She famously hated the sixties and virtually saw that period as the main cause of the country’s woes with it’s strong Trade Unions, Nationalised industries and Social Liberal values.
Margaret Thatcher was ruthlessly effective and she chose her battles well. By defeating the Miner’s Strike and legislating against the Closed Shopshe seriously reduced the power of the Trade Unions. At the same time she closed down most of the old heavy industries like steel, ship building and coal mines. By deregulating the banks, Privatising Nationalised businesses like energy and telecommunications and giving council house tenants the Right to Buy she effectively created a new capitalist society which boomed on the back of investments, services and rising house prices. It seemed to work so well that with the fall of the Berlin Wall in 1989and the end of the Cold War political economist Francis Fukuyama declared “What we may be witnessing is not just the end of the Cold War, or the passing of a particular period of postwar history, but the end of history as such…. That is, the end point of mankind’s ideological evolution and the universalization of Western liberal democracy as the final form of human government.” Mind you, considering events that happened in 2008, this was probably a bit premature!
But, I would still contend that the ideas of the 60s Counterculture permeated this period. As I have already said, Hippie ideals were resurrected with the Peace Convoy which was attracting many people to it, especially the legion of unemployed created by Thatcher’s early policies. But the ideas had also influenced the mainstream. The new bankers and brokers of the “Greed is Good” years were not the conservative bowler hatted bores of yesteryear but cocaine sniffing, champagne swilling hedonists who roared round London in new Porsches. They were into conspicuous consumption and, dare I say, a rock n roll life style. Also, the type of entrepreneurs that Thatcher was trying to encourage already existed in businesses started in the 60s. Although not British, clothing store chain The Gap, started as a “head shop” in San Francisco. Global business Time Out started when Tony Elliot took over the listings page from International Times because no one else could be bothered to do it! It became an immensely profitable business. Perhaps the most well known business with counterculture roots was Richard Branson with his Virgin brand. This started off as a mail order record company in the late 60s. All of these businesses brought a more relaxed, casual style and in the case of Branson a kind of celebrity status that would never have happened in the past. Basically, countercultural ideas had been assimilated by the mainstream.
However, the real Underground continued both in the Peace Convoy, the Greenham Common Women’s Peace Camp and more recently with the Occupy Movement which has become a global phenomenon. I will say more about this later!
I woke up early this morning and decided to go somewhere. But where? Well, there are many places I have never been to that I want to see. Not all of them are pretty or picturesque but there is always something worth seeing and interesting people to meet. So, I decided on Hull. It’s not a place with the best reputation and it’s not the sort of place you pass through. You have to make a deliberate decision to go there. So, here I am on a train headed for Sheffield, then to Doncaster, then to Hull. Total travelling time three hours but you couldn’t drive it any quicker. I’m quite excited really. What will I find when I get there? Many interesting things no doubt. It will also be nice to be by the sea although I won’t be doing any sunbathing today, or any bathing for that matter!
Humber Bridge
Travelled on a tiny two coach train from Doncaster to Hull that stopped at every station. Had a good view of the Humber bridge which is pretty amazing. The Hull station is very nice with a statue of poet Philip Larkin who lived in Hull for thirty years. He’s the one who came out with the famous line about sex being invented in 1963 between the trial of Lady Chatterley and the Beatles first LP. Good stuff. Initial impression of Hull is quite good. It’s got a nice feel about it and the people are friendly with a great accent. Now to find the interesting bits.
Philip Larkin at Hull station
Hull is bigger than I expected and there are many grand civic buildings attesting to it’s obvious great wealth in the past as a major port. It is also colder than Leicester presumably because of it’s proximity to the sea. Actually, it’s not as near the sea as I thought. The main tributaries are the mighty Humber River and the River Hull where the main docks were. There are some nice anomalies like the cream telephone boxes . Very strange after a lifetime of seeing red boxes (although I know many are just glass now!) There are also some really nice Victorian shopping arcades with delightful specialty shops.
Cream telephone boxes!
Lovely shopping arcades!
Of course, my first stop was Caffe Nero where I had a nice cappuccino. Then I walked into the centre of town where there are many museums and galleries. I was amazed to find a major Andy Warhol exhibition at the Ferens Art Gallery. This was totally unexpected. I hadn’t done any research before I came so to find this was quite strange. Warhol seems to be everywhere! I’m beginning to think that rather than being famous, in the future everyone will be Andy Warhol for 15 minutes. This exhibition is huge. There is a room full of later paintings, a room with stitched pictures and a room full of posters for the many events and films he was involved with.
Ferens Art Gallery
I’d never come aross the stitched pictures before. There are his trade mark multiple representations of the same picture but not like his silk screen prints. They are exactly the same picture but sewn together with thread, with bits of cotton dangling down which show exactly how they are done. Venus In A Shell alludes to Boticcelli but is set in the garden of a 60s Las Vegas house. Very intriguing. One of the remarkable things about the early screen printed multiple images is the way they change across the canvas because of the random way the technique works. They are all the same, but different. Like the images of Elvis that gradually fade away. There are no changes in the photographs. The only changes are caused by the dangling thread.
Venus in a Shell by Andy Warhol
Poster for Chelsea Girls
The room full of posters is very interesting and evocative. There is the iconic poster for the film Chelsea Girls and many of the other films he made. There are also some great ones of live performances like The Exploding Plastic Inevitable (although I see it’s called Andy Warhol and his Plastic Inevitable on the poster) which advertises a residency at the Filmore West on the same weekend as my birthday a year before the first Velvet Undergound album was released. What great joys I encounter!
Poster for The Exploding Plastic Inevitable. I like the bit that says Nico “Pop Girl of 66”! Doesn’t quite fit the ominous ballads she comes out with!
The room with the large later paintings sees Warhol returning to his earlier themes. There are soup cans, Brillo boxes and multiple screen prints. The one that attracted me most, although I’m not sure why, is the huge canvas called Repent And Sin No More. This is a typical evangelical statement that doesn’t quite seem to make sense. There is an element of contradiction and irony in it. Warhol would no doubt insist that it has no meaning beneath the surface.
Repent and and sin no more
The permanent displays in the gallery are very good. Some really nice Renaissance pictures.
Ferens Gallery. Renaissance section.
More Renaissance!
Of interest in the gallery are pictures by two women artists from the 19th Century, Rosa Bonheur and Emma Sandys. It is one of the few galleries I have visited recently that have work by women. Rosa Bonheur’s painting is on a large scale and is quite striking.
Rosa Bonheur Lions at Home 1881
Emma Sandys The Beautiful Wallflower
Well, time for lunch before I go on to see the Transport Museum and Wilberforce House. Went to Wetherspoons and actually did have a curry this time which was pretty good. Not bad to have a drink and a meal for just over £6!
The Transport Museum was fun with interactive displays and film shows. A great place to take the kids. There is a good display of early cars including electrical powered ones from the 19th century. It seems strange because electric cars seem like a new idea. There is also a tram and various buses and reconstructed streets and shops. Great fun and quite nostalgic.
Bus in Transport Museum with the tram behind it.
Actually, the bus looks like something out of Harry Potter and as I walk around the old town the street names seem to be out of Harry Potter too. You can’t help but like a place that has a road called Land of GreenGinger or Bowlalley Lane.
Land of Green Ginger
Bowlalley Lane
Yes, Hull is a nice place. The last place I visit is Wilberforce House. William Wilberforce was one of the most prominent slavery abolitionists in the 18th/19th Centuries. It took him years to get an anti-slavery bill through Parliament but eventually succeeded and deserves great credit for this. It seems incredible that the slave trade lasted as long as it did and makes a mockery of the idea of Free Trade. There is a hard hitting exhibition about the history and background of slavery in the museum that, quite frankly, left me in tears. It is astonishing that supposedly civilised people could have allowed it to continue for so long. As a crime against humanity it is as great as the holocaust and lasted much longer. Almost contradictorily, Wilberforce didn’t seem to share the same concerns about working conditions in England at the time. In a period when William Blake referred to Dark Satanic Mills and the exploitation of children was rife Wilberforce was a signatory to an act that outlawed trades unions. Of course, this doesn’t lessen the importance of what he did but it does raise other questions. Namely, WHY? It could be said that wage slavery is not much different to actual slavery. Still, it is an important and sobering exhibition.
Decided to go to Sheffield today and give a running commentary of while I am here. Just got off the train and am now in the town centre sitting in a Caffe Nero. You probably realise by now that my life centres around Caffe Neros and Wetherspoons. One sells expensive coffee and the other sells cheap beer. They both use the same free WiFi provider though and I can use the same login details. God, this is even beginning to bore me! Sorry!
Caffe Nero. Town Hall in the background. It looks a bit like a fairy tale castle. Incredibly grandiose!
Sheffield is amazing. This is the first time I’ve looked around the city although I’ve been here times in the past doing gigs. Same thing happened in Derby. I felt like I knew the places but I don’t at all. Well, at least I’m making up for it now.
Graves Gallery
One of the reasons for coming here was to visit Graves Art Gallery where there is an exhibition of Andy Warhol self portraits. I’ve been interested in Warhol since the heady days of the 60s. Initially it was because of his association with the Velvet Underground and the hedonistic partying of the Factory. This became the stuff of legends and was attractive to an impressionable teenager like me. We tried to create our own version of The Factory in Leicester. At that time Warhol was the pre-eminent underground film maker and many of his films were shown in Leicester at our self created Arts Lab. I was impressed by their extreme nature and humour. I then became interested in his art but saw it mainly as iconoclastic and nihilistic which suited my state of mind at the time. I’ve since seen many of his paintings in galleries and realise he was a great stylist who had much to say. Even his car crash pictures have a strange kind of beauty about them and I never realised how big they were! It is clear he loved baiting the art establishment and he also loved critics and intellectuals who found a meaning in his work he never thought was there. His real achievement was to create profundity out of the ordinary, something I respect and have always tried to emulate. The mundane can be interesting with the right mental attitude. In fact, I believe everything is interesting! By making a Brillo box and Campbell’s soup cans ART he exposed the shallow commercialism of all art. They are ordinary objects in a supermarket but display them in a gallery and they become ART. There is no difference between a Warhol on the art market and a Van Gogh or a Da Vinci. Van Gogh may have been a tortured genius attempting to communicate with the world but his work is now seen as a high value commodity. Da Vinci was a product of the patronage of the Medicis of Florence. Their works are just expensive and rare products that the rich invest in, more valuable than gold! Essentially, they are all the same. Even the Abstract Expressionists played the same game. They may not have liked it but they were just part of the system. Warhol knew exactly what it was about: MONEY. When he moved from advertising to being an ARTIST he really saw no difference in the two areas apart from the fact that ART could be far more lucrative to the artist and give him fame and celebrity. That’s why the art establishment hated him so much. He exposed it’s commercial core. Some of his comments like “everyone in the future will be famous for 15 minutes” ,”art is what you can get away with” and “I’m a deeply superficial person” show a real insight into the workings of the art and culture industries. Notice the emphasis on “deeply“. He wasn’t totally superficial he was deeply superficial. The ultimate post-modernist statement!
Andy Warhol poster
Well, true to form I came on the day when the Graves Gallery was closed. I seem to make a habit of this. So, I didn’t see the self portraits of Andy Warhol but I did see the public library that it is part of. Very impressive as is the square that it belongs to. I went to the Millenium Gallery nearby that has several exhibitions in it. The John Ruskin gallery is nice but didn’t really rock my boat.
Paul Morrison poster
The exhibition of Paul Morrison was far more impressive. He is a local Sheffield artist who has achieved some fame and renown around the world. I really liked his work. He creates weird landscapes that seem strangely normal until you look closer and realise the anomalies. His video art is also interesting with changing views of water and aquarian growth. He is truly post-modern borrowing from nearly everything. I particularly liked his Bridget Riley inspired op-art piece which unfortunately did not translate into my photograph. Sheffield, I WILL be back!
Well, here I am in Derby in the grandest looking Wetherspoons I’ve ever been to. I think it used to be a bank. Very impressive. Can’t decide whether to have one of their curries though. The decisions I have to make!
Derby Wetherspoons
Derby is interesting. Never really looked around it before. The cathedral is quite boring, very Protestant, but there are some interesting plaques of eminent figures of the city’s industrial past. In fact, I didn’t realise that Derby had the first self-contained factory and is therefore at the beginning of the Industrial Revolution. Around the Silk Mill is a World Heritage Site. Quite picturesque with the River Derwent flowing past it.
The Silk Mill
Went to the Museum & Art Gallery. There is quite a disturbing exhibition of the town’s army regiments. I didn’t realise the extent of British agression overseas. Not just the obvious ones but South America and other places I didn’t realise the British ever went to. For all the talk you hear about Free Trade, it was actually Forced Trade! It also contains information about how the military controlled riots and civil disobedience at the time of the Industrial Revolution. Frightening stuff! There is also an interesting historical connection with Bonny Prince Charlie and the Jacobite rebellion where local troups were used to repel them. Thought that was just going on in Scotland. Me? I’m on the side of Charlie!! And the workers!!
The art gallery is quite limited but there is a good exhibition of Joseph Wright. His paintings exhibit great technique but really just pander to the status quo. Some interesting portraits of the Arkwright family who were the arch capitalists of the 18th/19th Centuries. It’s interesting, like the de Medici’s of Florence, people from humble backgrounds who achieve great wealth need to immortalise themselves in works of art. Joseph Wright is no Leonardo Da Vinci though!
Sir Richard Arkwright by Joseph Wright
I like Derby. Next time I’ll bring my guitar and do a bit of busking.
Had a busy weekend just gone preparing for a Woody Guthrie memorial concert at the Musician Venue, Leicester. On Saturday morning I decided I needed to practice and learn some new songs so that I had enough for the night. I didn’t think I needed too many though because a film was being played and there were going to be other participants, I thought.
I was practicing and enjoying what I was doing then I decided to record some of them so I could hear what they sounded like. Well, I was quite pleased with the results so I decided to make a CD of my versions of Woody songs that I would give away to the audience on the night. From that moment my whole weekend was involved with recording, mixing and manufacturing CDs with covers. I made 20 and then gave up. It’s so time consuming!
Sunday night and the concert came around. I got there early and set up and sound checked. Then I found the film was not being shown and there were no other participants! It was entirely my own show! This was when I panicked. Fortunately, my friend Jenny Carter turned up and joined me on violin. I did two sets and did a lot of talking between numbers explaining the background of the songs and also about Woody’s guitar style which was a big influence on me. The whole night went really well and I found I had enough songs. It was quite inspirational for me and reignited my love of Woody’s music and his superb lyrics. He manages to combine simplicity with profundity. A remarkable writer.
The gigs are coming in rapidly at the moment. Am playing tonight at the Leicester O2 Academy for University overseas students and have just got a gig for the Hind pub, Leicester on Saturday. Am looking forward to this. I used to play there regularly but the pub changed hands. It’s a great place to play and, hopefully, I will get more gigs out of it.