The Decline of the 1960s Counterculture and the Rise of Thatcherism | Kenny Wilson

In the past few weeks I have been reading widely about the 1960s Counterculture both here and in America. This interest was inspired by two things. Writing an account of My Life in Music, which included my experience of the Counterculture in Leicester, and visiting an exhibition of sculptures by Francis Upritchard at Nottingham Contemporary and seeing James Riley’s talk about the perceived end of the Counterculture into “bad craziness” in the early 1970s.

My original piece was just based on memory with no reference to any other sources but I was struck by how close my experience was to the sequence of events described by James Riley. I was also intrigued by Francis Upritchard’s description of hippies in New Zealand when she says that “all the things that hippies hoped would happen, or felt might happen, didn’t.” In one sense her exhibition is about the failure of the 1960s and 70s counter-culture that is still celebrated at festivals – and its gaudy, individualistic “alternative” aftermath.

At this point it might be worthwhile to describe what I think the Counterculture is (or was). The Counterculture appeared in the 1960s both in the UK and America and became influential throughout the Western World and also in Eastern Europe. It’s protaganists were mainly young but there were significant influences from older artists and intellectuals. It’s not really clear why or how it came about but it epitomised what became known as the Generation Gap. This could be described as the difference between people who became adults before World War 2 and those who were adults after it.

Jeff Nuttall in his seminal book Bomb Culture(1968)  thinks that alternative attitudes in the UK grew out of the shadow and fear of the H Bomb. As the Cold War developed there was a constant reminder with the proliferation of nuclear weapons that the World could end any minute. This lead to massive demonstrations in the UK organised by CND (The Aldermaston Marches). Although these were attended by many thousands of people it became clear by the early sixties that the government had no intention of disarming or stopping the arms race. This lead to disillusionment and a feeling of alienation. Many young people began to reject the growing Affluent Society and started creating their own culture much to the bewilderment of the older generation who, as Prime Minister Harold Macmillan said at the time, had “never had it so good”. A youth subculture emerged called The Beatniks by the press. They grew their hair, played trad jazz and folk music, frequented coffee bars and hitchhiked around the country, influenced by American beat writers like Jack Kerouac. In the UK this is where the Counterculture had it’s roots. Here is an unintentionally hilarious TV report about Beatniks in Cornwall in 1960:

Of note in this film is the playing and singing of Whiz Jones. You may think he is influenced by Bob Dylan but you’d be wrong. It was two years before Dylan’s first album was released, he hadn’t even arrived in New York by then. The guitar and singing style was undoubtedly learnt from American folk singer Ramblin’ Jack Elliot who was in England at the time and influenced a whole generation of British guitarists including Donovan (he was also a big influence on Bob Dylan!).

The roots of the American Counterculture are slightly different. Although there was the same fear of nuclear annihilation especially with the Cuban Missile Crisis of 1962 when the Soviet Union based nuclear missiles in Cuba within easy reach of the USA. Another factor was the Civil Rights Movement that was working to end racial segregation in the South and also the Vietnam War especially when conscription was accelerated from 1964. Out of this milieu a counterculture was created that eventually became what are known as Hippies. This movement had a profound effect both in America and the rest of the World during the 1960s and it’s legacy has continued until now as I hope to demonstrate.

The UK and American countercultures influenced each other. Initially, the British counterculture imitated the Americans especially in the areas of poetry and the creation of Underground newspapers and magazines. As time progressed the British started influencing the Americans especially in the areas of art, fashion  and music. The Beatles became the most popular and influential group in the World and embraced many countercultural ideas like drugs, mysticism and experimentalism. Paul McCartney was closely linked to the English Underground and was a main financier of the International Times, an important countercultural paper that had a wide distribution. Pink Floyd emerged out of the British Underground with their take on psychedelic rock and, again, eventually became one of the most popular groups in the World.

The name Underground started to be increasingly used for the Counterculture although, really, this was a misnomer. The main players and self styled leaders were media savvy and natural experts in self promotion.  (This was especially true of American Yippies Abbie Hoffman and Jerry Rubin. They achieved international fame at the Chicago Conspiracy Trial where the American justice system managed to appear both brutal and ridiculous.  In a rare display of humour a member of the conventional left described their antics as Groucho Marxism!) It never really became underground until the 1970s when the mainstream media and press began to lose interest in it.

The Underground did not have a coherent political agenda. Although there was much talk of Revolution it was not clear what this really meant. This was true both in Britain and America. It definitely did not mean the same thing as what the old left referred to . The Communist states were seen as no better than the Capitalist ones and probably worse. Even Cuba, apart from the love for Che Guevara (who in the spirit of rock n roll died young and left a good looking corpse. He became the poster boy of the Revolution with his long hair and revolutionary beret!) was treated with suspicion. There was no strict ideology but general beliefs in the use of drugs (particularly marijuana and LSD), rejection of alcohol, free love, anti-war, anti-materialism, anti-consumerism, individualism, creativity, opposition to alienating work, rejection of television and advertising, caring for and living with the natural environment etc. The list could get very long and forms a general philosophy which is hard to formally categorise. The Revolution consisted of all these things. Slogans appeared that would have done justice to the best copywriters of Madison Avenue like “make love not war”, “turn on, tune in, drop out” and “do your own thing”.

So, why did the Revolution fail and where did it go wrong? Conventional wisdom would say that three events in 1969 caused a massive shift in attitudes. The infamous Charles Manson murders, The Woodstock Festival and the killing of a member of the audience by Hell’s Angels at Altamont Free Festival. The death of 60s idealism and the lost innocence of rock n roll is the theme of Don McLean’s song American Pie.

Charles Manson and his Family inverted the ideas of a hippy commune and went on a killing spree based on a psychotic interpretation of the Beatles White Album.

Woodstock is widely seen as the epitome and apotheosis of the Love Generation but can also be seen as the start of a megalithic, bloated and commercial music industry involving large scale festivals and stadium gigs. In order to attract popular acts large amounts of money were paid. Jimi Hendrix is reputed to have received $50,000, an incredible amount at the time equivalent to more than half a million now. Joan Baez virtually destroyed her credibility by accepting $10,000 even though she was using much of her own money to support radical causes. The festival made a colossal loss although that was recouped by subsequent sales of the film rights and DVD. A very interesting book about the making of this festival is Barefoot in Babylon by Robert Stephen Fitz. Rather than the music being an expression of the Counterculture a new commercial aristocracy was formed. The divorce between the music and the Counterculture was perhaps most symbolically shown when Pete Townshend of the Who knocked Abbie Hoffman off the stage with his guitar when Hoffman invaded the stage and tried to make an impromptu speech. It affected both people for years afterwards and effectively ended Hoffman’s political career. The clown prince of politics had been made to appear ridiculous and ineffective! Pete Townshend showed he wasn’t too enamoured with peace and love as this audio clip shows.

To deflect criticism of the cost of tickets on their 1969 tour of America the Rolling Stones gave a free concert at Altamont Speedway in California. This remarkably badly organised festival has become immortalised in the film Gimme Shelter (No, the Revolution wasn’t televised but it was often caught on film, which provided a good source of income from “Free” Festivals. The Stones had already done this with the Hyde Park Free Festival). The general air of chaos and violence is palpable with at least three deaths and a murder.

However, I don’t subscribe to conventional wisdom. Nor do I think that the Counterculture ended in 1969. As James Riley has said these events could just be coincidence and don’t signify anything. Personally, I think that after 1972 the Counterculture actually did go Underground. It was no longer really visible and it also became separated from the Music Industry which had become a large and profitable globalised industry. The press and media also lost interest  until it gained notoriety again in the 1980s as the Peace Convoy and the New Age Travellers. This culminated in the savagery and brutality of mainstream culture under Thatcherism at the Battle of the Beanfield. This is an Observer article about this event twenty years later:

* Tony Thompson, crime correspondent
* The Observer, Sunday 12 June 2005

It looked just like a carnival – at first. The weather was sunny and music played as the 140 vehicles set off towards Stonehenge. The 600 or so Travellers were on their way to attend the annual free festival on squatted land beside the ancient stones.

A few hours later the convoy had been ambushed by more than 1,300 police officers; dozens of Travellers were injured, all but a handful were arrested, and every one of their vehicles was destroyed.

This month marks the 20th anniversary of what has become known as the Battle of the Beanfield. Despite four months’ planning, the police operation to stop the convoy was a shambles. Faulty police intelligence suggested the Travellers were armed with chainsaws, hammers, petrol bombs and even firearms. All this information was false.

Plans to stop the convoy near the A303 collapsed when a convoy outrider spotted the roadblock and directed the travellers down a side road, where they encountered a second roadblock. After a first wave of violent assaults by the police, in which windscreens were smashed and the occupants dragged out screaming, most of the vehicles broke into a neighbouring field, derailing the police plan further.

For the next four hours there was a standoff, while Assistant Chief Constable Lionel Grundy, the officer in charge, insisted all Travellers had to be arrested.

The final assault began at 7pm, by which time all the officers had changed into riot gear. Pregnant women were clubbed with truncheons, as were those holding babies. The journalist Nick Davies, then working for The Observer, saw the violence. ‘They were like flies around rotten meat,’ he wrote, ‘and there was no question of trying to make a lawful arrest. They crawled all over, truncheons flailing, hitting anybody they could reach. It was extremely violent and very sickening.’

When some of those remaining tried to get away, driving their vehicles through the beanfield, the police threw anything they could lay their hands on – fire extinguishers, stones, shields and truncheons – at them in order to bring them to a halt. The empty vehicles were then systematically smashed to pieces and several were set on fire. Seven healthy dogs belonging to the Travellers were put down by officers from the RSPCA. In total, 537 people were arrested – the most arrests to take place on any single day since the Second World War.

All those arrested were charged with obstruction of the police and the highway, but most of the charges were dismissed in the courts. The Travellers’ unexpected saviour was the Earl of Cardigan, whose family owned the forest where the convoy had stayed the night before. Cardigan had tagged along out of interest, and his descriptions of the violence prevented what might otherwise have become a major miscarriage of justice.

Cardigan recalled that in many cases ‘the smashing up of the vehicles and the instructions to ‘Get Out! Get Out! Get Out!’ and hand over your keys were given simultaneously and therefore there was no chance to understand what was being shouted at you, and to comply before your vehicle started disintegrating around you with your windscreen broken in and your side panels beaten by truncheons and so on.’

It remains a mystery why the police felt compelled to use such violence. With evidence that radio logs of conversations between officers on the day have been altered, the full story may never be known.

‘The Battle of the Beanfield remains a black day for British justice and civil liberties,’ says Andy Worthington, whose book on the event is published this week. ‘From the anti-Traveller legislation of the 1986 Public Order Act and the 1994 Criminal Justice Act to the current hysteria surrounding Gypsy and traveller settlements, the repercussions are still being felt.‘”

The 1986 Public Order Act caused many New Age Travellers to leave England to more tolerant places like Spain and New Zealand. Interestingly, the hippies that Francis Upritchard came across may have been refugees from this time.

Margaret Thatcher was an enigma. Behind the authoritarian Iron Lady facade she wasn’t even really a Tory. She is considered to be the first of what are called conviction politicians. She appeared motivated by a mission and set of beliefs. Tony Blair and David Cameron have also used this approach and in some ways are seen as her successors. Thatcher’s beliefs had more to do with 19th Century Economic Liberalism than traditional Tory concerns. Her mission was to restore the British nation to it’s former glory and roll back the tide of National Debt, Trade Unions holding the country to ransom and encourage Free Trade and Private Enterprise. She famously hated the sixties and virtually saw that period as the main cause of the country’s woes with it’s strong Trade Unions, Nationalised industries and Social Liberal values.

Margaret Thatcher was ruthlessly effective and she chose her battles well. By defeating the Miner’s Strike and legislating against the Closed Shop she seriously reduced the power of the Trade Unions. At the same time she closed down most of the old heavy industries like steel, ship building and coal mines. By deregulating the banks, Privatising Nationalised businesses like energy and telecommunications and giving council house tenants the Right to Buy she effectively created a new capitalist society which boomed on the back of investments, services and rising house prices. It seemed to work so well that with the fall of the Berlin Wall in 1989 and the end of the Cold War political economist Francis Fukuyama declared “What we may be witnessing is not just the end of the Cold War, or the passing of a particular period of postwar history, but the end of history as such…. That is, the end point of mankind’s ideological evolution and the universalization of Western liberal democracy as the final form of human government.”  Mind you, considering events that happened in 2008, this was probably a bit premature!

But, I would still contend that the ideas of the 60s Counterculture permeated this period. As I have already said, Hippie ideals were resurrected with the Peace Convoy which was attracting many people to it, especially the legion of unemployed created by Thatcher’s early policies. But the ideas had also influenced the mainstream. The new bankers and brokers of the “Greed is Good” years were not the conservative bowler hatted bores of yesteryear but cocaine sniffing, champagne swilling hedonists who roared round London in new Porsches. They were into conspicuous consumption and, dare I say, a rock n roll life style. Also, the type of entrepreneurs that Thatcher was trying to encourage already existed in businesses started in the 60s. Although not British, clothing store chain The Gap, started as a “head shop” in San Francisco. Global business Time Out started when Tony Elliot took over the listings page from International Times because no one else could be bothered to do it! It became an immensely profitable business. Perhaps the most well known business with counterculture roots was Richard Branson with his Virgin brand. This started off as a mail order record company in the late 60s. All of these businesses brought a more relaxed, casual style and in the case of Branson a kind of celebrity status that would never have happened in the past. Basically, countercultural ideas had been assimilated by the mainstream.

However, the real Underground continued both in the Peace Convoy, the Greenham Common Women’s Peace Camp and more recently with the Occupy Movement which has become a global phenomenon. I will say more about this later!


Music Review: Bob Dylan’s “Tempest”

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Graffiti ad for Bob Dylan’s Tempest. Is this the first time this has been done?

The other day I came across a review of this album on the Guardian web site. Written by Alex Macpherson it is almost totally negative. There is a link to it here:

Bob Dylan’s song about the Titanic makes you wish you’d been on board

The article shows an almost appalling lack of knowledge of one of the most important artists of the 20th Century, but compounds that with a total lack of understanding of what Dylan is saying and how he is saying it. Possibly Macpherson is deliberately being provocative but it is hardly an excuse for such ignorance and stupidity.

No, in my opinion having only heard it a few times, I think it is one of the best albums Dylan has ever made. Sure, his voice is a rasp but it is a supremely expressive and musical rasp. Macpherson implies that the lyrics look better on paper than when they’re sung. I think he can’t be listening to the same album as me because I would say the reverse. In fact, I think the lyrics are amongst the best he’s ever written but they still work best as songs.

At the moment I wouldn’t like to say exactly what many of the songs do mean but they are supremely evocative and conjure up a doom laden scenario with elements of self doubt and black humour. Like the best of Dylan the meanings change and shift with each hearing. At least two of the songs Scarlet Town and Tin Angel draw on traditional folk songs for their inspiration. I absolutely love Scarlet Town which takes the song Barbara Allen and turns it into an almost apocalyptic film scenario but still uses some lyrics from the original song. In some ways it is like an update of Desolation Row. The music and accompaniment to this are superbly atmospheric. Tin Angel uses the song Black Jack Davey and creates a twisted tale of jealousy and deceit that is almost cinematic in quality, again with a brilliant repetitive accompaniment.

I think it’s time the Dylan Can’t Sing Brigade pulled there head out of the sand and stopped complaining. Dylan is possible the most unique performer of the past sixty years who single-handedly changed what a pop song can be about! His position is unassailable and his new album is a towering achievement.

Film Review: About Elly

About Elly

I went to see this film this week at the Phoenix Square Cinema, Leicester. It is a very impressive picture. The cast are very natural and believable. It is directed by Iranian director Asghar Farhadi who creates a mystery tale that deals with well intentioned deceit and lies. This is the plot outline:

A group of middle-class Iranian friends travel to the shores of the Caspian Sea on a three-day vacation. They are former classmates at the Law faculty in the university. Three couples include Sepideh and her husband Amir who have a little daughter. Shohreh and her husband Peiman who have two children including their little son Arash. Nazy and her husband Manoochehr are the third family. The trip is planned by Sepideh, who brings along her daughter’s kindergarten teacher Elly in order to introduce her to Ahmad, a friend who has come back from Germany to get married.

They all go to the villa that Sepideh has booked from Tehran, but the rural woman in charge tells them that the owners of the place were going to come back the next day, so they wouldn’t be able stay there. The old woman suggests that they stay in a deserted villa that needs a lot of repairs. There would be no cellphone reception there and they would have to go to the old woman’s house in order to make calls. Sepideh lies to the old woman about the relationship between Elly and Ahmad: she says they’re married and are there for their honeymoon.

Elly is a bit shy, but she begins to feel attracted to Ahmad, who seems to feel the same. She calls her mother and lies to her saying that she’s with her co-workers at the sea-side. She wishes to go back to Tehran the following day, as planned. Sepideh does not want her to leave and hides her luggage. In a twist of events, Elly goes missing after one of the mothers asks her to watch the children playing in the water. The group does not know whether Elly drowned or left for Tehran on her own.

It is interesting, considering media representations of Iran, how ordinary the participants are. They could be a group of people from America or Europe visiting the seaside. It shows the importance of World Cinema in breaking down stereotypes. Many people’s views of Iranian society are probably of mad jihadists and women in burqas. This is far from the truth. The film does deal with things like honour but in a totally comprehensible way. It is both a riveting mystery tale and an exploration of guilt and lies. Highly recommended!

Religion, Richard Dawkins and the One Dimensional Man

In 1964 Herbert Marcuse published a book called One Dimensional Man in which he describes the advanced capitalist countries of the developed world as Totalitarian. This controversial statement was met with both bewilderment and ridicule. The world was at the height of the Cold War and the countries of the West saw themselves as a bulwark of freedom against the Communist dictatorships of the East, especially the Soviet Union. At the same time America was fighting an unwinnable war in Vietnam, again on the principle of freedom and democracy. America and the West were presenting themselves as the opposite to the oppressive totalitarian Eastern regimes. Of course, at the same time, the Communist regimes were declaring themselves as liberators and freedom fighters from oppressive Capitalism. In many people’s minds these were, in fact, two sides of the same coin and the only real losers were ordinary people! This is what Marcuse says about it:

“Does not the threat of an atomic catastrophe which could wipe out the human race also serve to protect the very forces which perpetuate this danger? The efforts to prevent such a catastrophe overshadow the search for its potential causes in contemporary industrial society. These causes remain unidentified, unexposed, unattacked by the public because they recede before the all too obvious threat from without–to the West from the East, to the East from the West. Equally obvious is the need for being prepared, for living on the brink, for facing the challenge. We submit to the peaceful production of the means of destruction, to the perfection of waste, to being educated for a defense which deforms the defenders and that which they defend.

If we attempt to relate the causes of the danger to the war in which society is organized and organizes its members, we are immediately confronted with the fact that advanced industrial society becomes richer, bigger, and better as it perpetuates the danger. The defense structure makes life easier for a greater number of people and extends man’s mastery of nature. Under these circumstances, our mass media have little difficulty in selling particular interests as those of all sensible men. The political needs of society become individual needs and aspirations, their satisfaction promotes business and the commonweal, and the whole appeals to be the very embodiment of Reason.

And yet this society is irrational as a whole. Its productivity is destructive of the free development of human needs and faculties, its peace maintained by the constant threat of war, its growth dependent on the repression of the real possibilities for pacifying the struggle for existence–individual, national, and international. This repression, so different from that which characterized the preceding, less developed stages of our society, operates today not from a position of natural and technical immaturity but rather from a position of strength. The capabilities (intellectual and material) of contemporary society are immeasurably greater than ever before-which means that the scope of society’s domination over the individual is immeasurably greater than ever before. Our society distinguishes itself by conquering the centrifugal social forces with Technology rather than Terror, on the dual basis of an overwhelming efficiency and an increasing standard of living.” (Marcuse:  One Dimensional Man)

Since the fall of the Soviet Union and the assimilation of China into Global Capitalism a new enemy has been found in Islam and The War Against Terror. Of course, none of the Islamic nations can militarily compete with America so other ways of expanding the war machine have become necessary. Instead of defence (although this term is still used as a description) it becomes  necessary to invade countries that “support terrorism” (which in a typical piece of Orwellian newspeak is usually called intervention in the same way that the killing of innocent civilians in the course of these interventions is called collateral damage). In fact, engaging this new enemy has been more productive in the mobilization for war because the weapons actually get used and therefore need to be replaced. It also means new and more effective weapons are researched and developed e.g. drones.

Marcuse considers advanced capitalism as totalitarian because of the way it uses technology and employs rationalism and science to support something that is, in fact, irrational. This creates an idea of common sense that is hard to refute i.e. why should anyone criticise the system when it is creating a high standard of living?

” By virtue of the way it has organized its technological base, contemporary industrial society tends to be totalitarian. For “totalitarian” is not only a terroristic political coordination of society, but also a non-terroristic economic-technical coordination which operates through the manipulation of needs by vested interests. It thus precludes the emergence of an effective opposition against the whole. Not only a specific form of government or party rule makes for totalitarianism, but also a specific system of production and distribution which may well be compatible with a “pluralism” of parties, newspapers, “countervailing powers,” etc” (Marcuse ibid)

“Indeed, in the most highly developed areas of contemporary society, the transplantation of social into individual needs is so effective that the difference between them seems to be purely theoretical. Can one really distinguish between the mass media as instruments of information and entertainment, and as agents of manipulation and indoctrination? Between the automobile as nuisance and as convenience? Between the horrors and the comforts of functional architecture? Between the work for national defense and the work for corporate gain? Between the private pleasure and the commercial and political utility involved in increasing the birth rate?

We are again confronted with one of the most vexing aspects of advanced industrial civilization: the rational character of its irrationality. Its productivity and efficiency, its capacity to increase and spread comforts, to turn waste into need, and destruction into construction, the extent to which this civilization transforms the object world into an extension of man’s mind and body makes the very notion of alienation questionable. The people recognize themselves in their commodities; they find their soul in their automobile, hi-fi set, split-level home, kitchen equipment. The very mechanism which ties the individual to his society has changed, and social control is anchored in the new needs which it has produced.

The prevailing forms of social control are technological in a new sense. To be sure, the technical structure and efficacy of the productive and destructive apparatus has been a major instrumentality for subjecting the population to the established social division of labor throughout the modern period. Moreover, such integration has always been accompanied by more obvious forms of compulsion: loss of livelihood, the administration of justice, the police, the armed forces. It still is. But in the contemporary period, the technological controls appear to be the very embodiment of Reason for the benefit of all social groups and interests- to such an extent that all contradiction seems irrational and all counteraction impossible.”(Marcuse ibid)

This is what Marcuse refers to as the One Dimensional Society which is perpetuated by One Dimensional Thinking and promoted by the use of advertising and mass media.

Richard Dawkins is a well known media figure who seems to have made it his mission to prove that God doesn’t exist. In many ways in my opinion he is the ultimate representation of the One Dimensional Man. You may wonder why this bothers me. Well, behind what seems like a radical stance I think his views are deeply conservative. He wants society and people to be organised in purely rational and scientific ways and he seems to want to prove to people who have a religious faith that they are wrong. Apart from the arrogance of this, many of his proofs are flawed and are not rational at all. For a start, as the Logical Positivists have pointed out, debating whether God exists or not is pointless. Unless you have a clear definition of what God is you can’t possibly prove he doesn’t exist. As far as I can see there are virtually no religious organisations that give a clear definition of God. For example, the Catholic Church describes God as a “great mystery beyond all understanding”. How can you possibly prove that this doesn’t exist?

You’d think he was on safer ground when he argues against the literal truth of the Bible but even here it becomes fairly problematic. It’s also noticeable that he doesn’t engage in debate with the leaders of other religions like Muslims or Buddhists. Why’s that?

Does literal truth matter? Many Christians believe that the New Testament replaces the Old and see the stories as parables and an insight into the background of the figure of Christ and Christian belief. Jesus says “love your neighbour  as yourself” and this replaces the laws of the Old Testament. Alright, there are people who do believe in the literal truth of the Bible but how much real influence do these people have, and is it a problem for society as a whole? My one agreement with Dawkins is that there shouldn’t be Faith schools promoting dogma. He also wants all people to make their own choices about what they believe which I think is a laudable suggestion. But it’s naive to think that people growing up in families with a cohesive cultural background will not be influenced by the prevailing values of that culture. Even his rational and scientific society would influence it’s young with it’s own values. At best, people can only reject the values they have been indoctrinated with.

In a debate with Chief Rabbi Jonathan Sacks Richard Dawkins  acknowledges that in terms of danger to humanity and used in the wrong hands, science and technology are the most destructive forces available. Although, without doubt, religious conflict and zealotry have created real problems on Earth, the technological wars of the 20th Century (and now) have created the most destruction. In the main these have been perpetrated by secular governments (like the Nazis) who have been antagonistic to religion. On the other hand, religious groups like the Quakers have actively opposed war and were a major element in the formation of CND. It doesn’t follow that a secular society is necessarily a good one. An influence on Nazi racial policy was a distortion of the writings of Charles Darwin who, as we know, is a big hero to Dawkins. This resulted in the genocide of six million Jews and countless others. Don’t get me wrong, I don’t blame Darwin for the Nazis but it shows how any text can be misused and misinterpreted, even scientific ones.

I agree with Jonathan Sacks that Religion isn’t necessarily in competition with Science. Religious belief can bring comfort to people in times of distress. It can also give them hope. It has been a source of inspiration for great works of art and acts of great unselfishness. It doesn’t need to be narrow minded or dogmatic. Most peoples beliefs are personal and don’t fit in with any religious dogma anyway. In fact, attendance of official religious services in the West have declined to the point that some of them are no longer viable, organised religion has been forced into a defensive position. The real problem, as far as I’m concerned, is the growth and misuse of science and technology and, apart from some brave attempts, the lack of alternatives to the prevailing capitalist system. And it is this system that is propped up with the dogma of Rationalism and Science!

Oppenheimer next to an H Bomb test. Is science and technology the real danger to the World?

August Sander at Leicester Museum and Art Gallery

Bricklayer by August Sander

If you haven’t been recently you really should go to Leicester museum and Art Gallery on New Walk. It has recently been refurbished (not quite finished yet) and looks great. Currently there is an exhibition of photographs by August Sander that is really worth a look. I realise that in my wanderings I have come across exhibitions with the subtitle Artist Rooms. I have discovered that this refers to art dealer Anthony D’Offay who donated most of his art collection to the nation in 2008.

” In 2008 Anthony donated hundreds of his own works, including many Warhols, to the nation. This collection is known as ARTIST ROOMS and is managed by Tate and the National Galleries of Scotland. Artworks from it are lent to national and regional museums and galleries with the opportunity of receiving funding to attract young audiences. This was an incredibly generous thing to do and really makes d’Offay one of the ‘good guys’.” (From the Sheffield Art Gallery web site).

Both the Warhol exhibitions in Sheffield and Hull are part of this and so is the exhibition in Leicester of August Sander.

Soldier by August Sander

This is what the programme says of his work:

“The exhibition of German photographer August Sander (1876-1964) draws together 175 photographs and a wide range of archival material from the collections of Tate, National Galleries of Scotland, Anthony d’Offay and Gerd Sander.

This presentation creates a unique opportunity to see the different facets of August Sander’s photographic practice, including his celebrated portraits alongside less well known aspects of his work.

August Sander’s most significant project was ‘The People of the Twentieth Century’. Sander wanted to create an encyclopaedic survey of different types of people from the first half of the twentieth century. His working life in Germany spanned the First World War, the interwar years, the rise of the Nazi party, the Second World War and its aftermath.

The Artist

His photographs are unflinching documents of a society going through huge change. The work reflects both the catastrophic political convulsions that Germany was enduring and a society slowly coming to terms with the impact of industrialisation. The clarity and breadth of his vision remains powerful and his vocational portraits still resonate today.”

It is a fascinating exhibition with incredibly sharp black and white pictures. He attempts to photograph all types of people in his native Germany but it inevitably becomes much darker as the Nazis take power and the build up to World War 2. By this time the sections include The Soldier, The Victims and The National Socialist!

Victim Of Persecution

Here is a short biography of him:

August Sander (17 November 1876 – 20 April 1964) was a German portrait and documentary photographer. Sander’s first book Face of our Time (German title: Antlitz der Zeit) was published in 1929. Sander has been described as “the most important German portrait photographer of the early twentieth century.”
Sander was born in Herdorf, the son of a carpenter working in the mining industry. While working at a local mine, Sander first learned about photography by assisting a photographer who was working for a mining company. With financial support from his uncle, he bought photographic equipment and set up his own darkroom.
He spent his military service (1897–99) as a photographer’s assistant and the next years wandering across Germany. In 1901, he started working for a photo studio in Linz, Austria, eventually becoming a partner (1902), and then its sole proprietor (1904). He left Linz at the end of 1909 and set up a new studio in Cologne.
In the early 1920s, Sander joined the “Group of Progressive Artists” in Cologne and began plans to document contemporary society in a portrait series. In 1927, Sander and writer de:Ludwig Mathar travelled through Sardinia for three months, where he took around 500 photographs. However, a planned book detailing his travels was not completed.
Sander’s Face of our Time was published in 1929. It contains a selection of 60 portraits from his series People of the 20th Century. Under the Nazi regime, his work and personal life were greatly constrained. His son Erich, who was a member of the left wing Socialist Workers’ Party (SAP), was arrested in 1934 and sentenced to 10 years in prison, where he died in 1944, shortly before the end of his sentence. Sander’s book Face of our Time was seized in 1936 and the photographic plates destroyed. Around 1942, during World War II, he left Cologne and moved to a rural area, allowing him to save most of his negatives. His studio was destroyed in a 1944 bombing raid.
Sander died in Cologne. His work includes landscape, nature, architecture, and street photography, but he is best known for his portraits, as exemplified by his series People of the 20th Century. In this series, he aims to show a cross-section of society during the Weimar Republic. The series is divided into seven sections: The Farmer, The Skilled Tradesman, Woman, Classes and Professions, The Artists, The City, and The Last People (homeless persons, veterans, etc.). By 1945, Sander’s archive included over 40,000 images.
In 2002, the August Sander Archiv and scholar Susanne Lange published a seven-volume collection comprising some 650 of Sander’s photographs (August Sander: People of the 20th Century, Harry N. Abrams).”

Circus Workers

SS Captain

 

 

Day Trip to Hull

I woke up early this morning and decided to go somewhere. But where? Well, there are many places I have never been to that I want to see. Not all of them are pretty or picturesque but there is always something worth seeing and interesting people to meet. So, I decided on Hull. It’s not a place with the best reputation and it’s not the sort of place you pass through. You have to make a deliberate decision to go there. So, here I am on a train headed for Sheffield, then to Doncaster, then to Hull. Total travelling time three hours but you couldn’t drive it any quicker. I’m quite excited really. What will I find when I get there? Many interesting things no doubt. It will also be nice to be by the sea although I won’t be doing any sunbathing today, or any bathing for that matter!

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Humber Bridge

Travelled on a tiny two coach train from Doncaster to Hull that stopped at every station. Had a good view of the Humber bridge which is pretty amazing. The Hull station is very nice with a statue of poet Philip Larkin who lived in Hull for thirty years. He’s the one who came out with the famous line about sex being invented in 1963 between the trial of Lady Chatterley and the Beatles first LP. Good stuff. Initial impression of Hull is quite good. It’s got a nice feel about it and the people are friendly with a great accent. Now to find the interesting bits.

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Philip Larkin at Hull station

Hull is bigger than I expected and there are many grand civic buildings attesting to it’s obvious great wealth in the past as a major port. It is also colder than Leicester presumably because of it’s proximity to the sea. Actually, it’s not as near the sea as I thought. The main tributaries are the mighty Humber River and the River Hull where the main docks were. There are some nice anomalies like the cream telephone boxes . Very strange after a lifetime of seeing red boxes (although I know many are just glass now!) There are also some really nice Victorian shopping arcades with delightful specialty shops.

Cream telephone boxes!

Lovely shopping arcades!

Of course, my first stop was Caffe Nero where I had a nice cappuccino. Then I walked into the centre of town where there are many museums and galleries. I was amazed to find a major Andy Warhol exhibition at the Ferens Art Gallery. This was totally unexpected. I hadn’t done any research before I came so to find this was quite strange. Warhol seems to be everywhere! I’m beginning to think that rather than being famous, in the future everyone will be Andy Warhol for 15 minutes. This exhibition is huge. There is a room full of later paintings, a room with stitched pictures and a room full of posters for the many events and films he was involved with.

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Ferens Art Gallery

I’d never come aross the stitched pictures before. There are his trade mark multiple representations of the same picture but not like his silk screen prints. They are exactly the same picture but sewn together with thread, with bits of cotton dangling down which show exactly how they are done. Venus In A Shell alludes to Boticcelli but is set in the garden of a 60s Las Vegas house. Very intriguing. One of the remarkable things about the early screen printed multiple images is the way they change across the canvas because of the random way the technique works. They are all the same, but different. Like the images of Elvis that gradually fade away. There are no changes in the photographs. The only changes are caused by the dangling thread.

Venus in a Shell by Andy Warhol

Poster for Chelsea Girls

The room full of posters is very interesting and evocative. There is the iconic poster for the film Chelsea Girls and many of the other films he made. There are also some great ones of live performances like The Exploding Plastic Inevitable (although I see it’s called Andy Warhol and his Plastic Inevitable on the poster) which advertises a residency at the Filmore West on the same weekend as my birthday a year before the first Velvet Undergound album was released. What great joys I encounter!

Poster for The Exploding Plastic Inevitable. I like the bit that says Nico “Pop Girl of 66”! Doesn’t quite fit the ominous ballads she comes out with!

The room with the large later paintings sees Warhol returning to his earlier themes. There are soup cans, Brillo boxes and multiple screen prints. The one that attracted me most, although I’m not sure why, is the huge canvas called Repent And Sin No More. This is a typical evangelical statement that doesn’t quite seem to make sense. There is an element of contradiction and irony in it. Warhol would no doubt insist that it has no meaning beneath the surface.

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Repent and and sin no more

The permanent displays in the gallery are very good. Some really nice Renaissance pictures.

Ferens Gallery. Renaissance section.

More Renaissance!

Of interest in the gallery are pictures by two women artists from the 19th Century, Rosa Bonheur and Emma Sandys. It is one of the few galleries I have visited recently that have work by women. Rosa Bonheur’s painting is on a large scale and is quite striking.

Rosa Bonheur Lions at Home 1881

Emma Sandys The Beautiful Wallflower

Well, time for lunch before I go on to see the Transport Museum and Wilberforce House. Went to Wetherspoons and actually did have a curry this time which was pretty good. Not bad to have a drink and a meal for just over £6!

The Transport Museum was fun with interactive displays and film shows. A great place to take the kids. There is a good display of early cars including electrical powered ones from the 19th century. It seems strange because electric cars seem like a new idea. There is also a tram and various buses and reconstructed streets and shops. Great fun and quite nostalgic.

Bus in Transport Museum with the tram behind it.

Actually, the bus looks like something out of Harry Potter and as I walk around the old town the street names seem to be out of Harry Potter too. You can’t help but like a place that has a road called Land of Green Ginger or Bowlalley Lane.

Land of Green Ginger

Bowlalley Lane

Yes, Hull is a nice place. The last place I visit is Wilberforce House. William Wilberforce was one of the most prominent slavery abolitionists in the 18th/19th Centuries. It took him years to get an anti-slavery bill through Parliament but eventually succeeded and deserves great credit for this. It seems incredible that the slave trade lasted as long as it did and makes a mockery of the idea of Free Trade. There is a hard hitting exhibition about the history and background of slavery in the museum that, quite frankly, left me in tears. It is astonishing that supposedly civilised people could have allowed it to continue for so long. As a crime against humanity it is as great as the holocaust and lasted much longer. Almost contradictorily, Wilberforce didn’t seem to share the same concerns about working conditions in England at the time. In a period when William Blake referred to Dark Satanic Mills and the exploitation of children was rife Wilberforce was a signatory to an act that outlawed trades unions. Of course, this doesn’t lessen the importance of what he did but it does raise other questions. Namely, WHY? It could be said that wage slavery is not much different to actual slavery. Still, it is an important and sobering exhibition.

Statue of William Wilberforce

Department at Hull University concerning slavery.