Mods in Leicester U.K. in the mid 1960s

This is copied from an article about Mods in Leicester in the mid 1960s printed in the Leicester Mercury in 2010. It is the only thing that comes up if you Google some of the Coffee Bars and Clubs in Leicester around at that time. The internet Information Revolution seems to start in the 1990s and knowledge about earlier times appears to be getting lost, or just isn’t there!! The article actually presents a pretty accurate picture of some of the things that happened then and the places that people went to. It complements my post about My Life in Music. The Irish was one of the main fashion shops but it was actually in Silver Arcade which was off Silver Street. It subsequently moved to the corner of Silver Street and High Street and is still there now, I believe, but it’s not the fashionable place it once was. The article also talks about the Antelope pub. I must have missed this totally because, although I remember the pub, I never went into it. I thought it was an “old man’s pub”. The main pubs we went to were the Fish and Quart on Churchgate and the Churchill on Silver Street which is now The Lamplighters. The Churchill became the trendy place to be from 1968 onwards.

Marlon Brando in “The Wild One”

The interesting thing about the rivalry of the Mods and the Rockers was that it was invented by the media. If you look at the headlines they scream out about the Wild Ones! Actually, this is a reference to the Marlon Brando film “The Wild One” which was banned in Britain and not many people had seen it. Brando was the role model for the Rockers though, with his leather gear, macho swagger and surly attitude, to say nothing of the slurred drawl. “Hey, Johnny whadaya rebelling against?” “Whadaya got?” Elvis Presley copied him too in his earliest and greatest incarnation, circa 1956. Originally, however, there was no conflict. In fact, Mods became Rockers and vice versa. It all changed in the reporting of events at Brighton in 1964 and the rest is history! I do remember an occasion at Avenue Road Youth Club which was a Rocker stronghold. I’d been told to give a message by a group of Mods to Dave Buswell, leader of the local Rockers and as mean a looking guy as you could wish to meet. He was terrifying! The Mods were on Victoria Park ready for a battle. At that point all hell broke loose as they rushed out for the affray. Personally, I decided to go home and have a night in, watching telly! It was one battle I had no desire to fight and I didn’t even really know if I was a Mod or Rocker supporter then! I kind of liked them both!

I did eventually side with the Mods because, actually, the music was a lot better and the coffee bars and clubs were much more exciting! And although the girls weren’t any better looking, they were far less ferocious!

Sensational coverage of what was essentially a non-event of bored teenagers with nowhere to go! This is what created the Mods and Rockers clash!!
Juke Boxes were a massively important way of listening to new music.

Turn left at the Clock Tower, head towards High Street, pass Cheapside, veer off by the amusement arcade and you’re there – right in the heart of Leicester’s pill-popping, sharp-dressing, scooter-revving, hedonistic counterculture”, writes Mark Charlton.

Or at least you would be if this was still the swinging 60s. If London had Carnaby Street at the heart of its Mod scene, Leicester had Silver Street. With their tailor-made suits, parkas and scooters, the Mods had a huge impact on the streets of mid-60s Leicester. They’d ride into town on their Vespas and Lambrettas to hit the coffee bars and hear the latest jukebox sounds from bands such as The Who, The Kinks and The Small Faces.

Rows and rows of scooters would be parked up in city centre streets, particularly outside bars such as Cadena, in Belvoir Street, and Kenco Coffee House, in Granby Street. But Silver Street was the real magnet for the Mods. That’s where Irish Clothing store was. That’s where Il Rondo was. That’s where you went to be seen. That’s where their real-life version of Quadrophenia played out.

John Barratt, 60, who grew up in Humberstone, was one of Leicester’s original Mods.

“Silver Street was our Carnaby Street,” he remembers. “I don’t know why but it was just a big happening for us there. I guess it had a lot to do with Irish Clothing and the Il Rondo, and there was also a pub called the Antelope. I think it just drew us to the area as there were places we could meet.”

The site of the Il Rondo on Silver Street. Now a restaurant. The original entrance was where the white doors are now.

Leicester was buzzing with these hip, rebellious kids who wanted to make their mark on the world by dressing smartly and listening to the hottest new sounds. It was their way of getting noticed and making a point to their elders. John says: “In the 50s and early 60s, young people were almost penned in, everything was dictated to them. When Mod came along, it was our way of saying ‘we are human beings’. We were trying to put over our feelings that we weren’t going to put up with being told what to do.”

The Mod scene, with its slick fashion and fascination with black American soul music, had spread north from London, fed by newspapers reporting on violent clashes between Mods and Rockers in Brighton and Margate in 1964, and by broadcasts on Radio Caroline. Young people in Leicester were quick to pick up on the idea.

John says: “The first Mods were in Leicester by 1964. It was sweeping the country at that time. I was still at school and started getting into the music and the fashions. I knew I wanted to be a Mod. When I turned 16 I bought my scooter. At that time, I had a good job in engineering. I needed it. Being a Mod was expensive. You had to keep up with all the latest fashions, for a start. Then you had to run your scooter, keeping it taxed and on the road before buying all the accessories to make it look as good as possible. Then there was the music. You had to keep up with all the new music coming out, plus the wild life that went with it and on top of all that you had to try to keep a girl on your arm. I earned good money in engineering, but I didn’t save a penny.”

A Mod Lambretta scooter not yet customised! This is a picture I took recently at a Mod exhibition in Northampton.

Another young Mod was Chris Busby, from the West End of Leicester. He recalls choosing to be a Mod when he was still at school.

Chris Busby in the 1960s

“I was 14 in 1964 and we thought ‘should we be Mods or rockers?’. I looked at the rockers, they were greasers and horrible. I looked at the Mods, they were so clean looking and smart with their scooters. I wanted to be like that.”

Chris remembers Leicester was a great place to be at that time.

“There was so much going on,” he says. “The music was fantastic, there were some great places to go and lots of house parties.”

Chris was part of a Leicester Mod band called CERT X. Other notable Mod acts from the city’s scene were The Cissy and Legay.

John saw them perform at several gigs in the 60s. He says: “CERT X was a really good local band, really good. The highlight of the band’s career was supporting Cream at Nottingham University.

The music scene was vibrant at that time. Chris remembers: “A place called the Night Owl opened, in Newarke Street, in 1966, which put on all-nighters. I think (soul singer) Geno Washington recorded an album there. Bands like Amen Corner also appeared there. There were a lot of people taking drugs like blues and dexys, and I think that is why it got shut down quite quickly. The Green Bowler, in Churchgate, was popular too.”

Leicester in the mid 60s was already something of a cultural melting pot. Lots of young black kids were mixing with white lads at nightclubs and gigs.

Chris says: “It was a good time. We were friends with a lot of the black lads, there was never any trouble between us – we all respected one another. The only time we ever had aggro was with the rockers.”

The Mods’ cats-v-dogs relationship with the rockers is well documented. Seaside skirmishes at Brighton and Margate and made national news but there was plenty of trouble in Leicester, too.

John says: “The rockers used to hang out down at the Roman Cafe, in Humberstone Road. It was part of the life of a Mod to have problems with the rockers, or Hell’s Angels. They were so different from us. We would roll up at the Roman Cafe on our scooters just so we could have a scrap. They would come looking for us, too.”

Rockers!
Rockers! Mind you, these look a bit too old to be genuine Rockers.

Chris remembers one incident: “We were at the Casino Ballroom at the top of London Road. A popular boxer, Alex Barrow, was there, a black guy, with two of his friends. Two rockers walked in, and one of the lads with Alex said ‘you hit my mate’ and knocked one of them flying. Within 30 minutes, hundreds of rockers were flying down London Road on their motorbikes heading for the club.”

There was an unwritten hierarchy within the Mods. If you were particularly cool, you were a ‘face’. If you could not keep up with the pace of the scene, you were seen as a ‘ticket’.

Chris says: “The older lads, who were about two or three years older, were working and could afford better clothing. We looked up to them, they were the faces to us. There wasn’t a rank as such, but we were subconsciously aware the differences were there. We knew the older ones to nod at, there was never any problem between us.”

John says: “There was a lad called Tony Weston. He was king of the Mods to us. He was the organiser, our leader, always coming up with ideas and things todo. We all looked up to him because of the way he dressed and his scooter.” John had a Vespa 125cc GL scooter. “Registration 461 BBC,” he says.

“I’ll never forget it. It had all the gear – spotlamps, a big aerial at the back, a slimline windscreen and so many mirrors it was a wonder it moved, it was so weighed down. I had so many spotlamps that if I turned on the lights without the engine running it would flatten the battery.” But keeping your scooter up to scratch was a big part of it. It cost a bloody fortune. The main place for buying scooters at that time was a place called Readers,in Aylestone. We all went there. Scooters were appealing at the time because you could do hundreds of miles on a tank of petrol. A group of us went to Yarmouth. It took us the best part of six hours to get there. It was a steady run and we only used a tank-and-a-half of petrol there and back.”

Chris had a Lambretta li 150 with green and white stripped side panels and fur on the seats. “It cost me £30 in 1966 and wasn’t anything special compared to some of the scooters around but it was special to me,” he says. “It would be worth about £2,000 if I still had it.”

Another Lambretta. Poster of a Vespa in the background!

Chris also did his fair share of going to Mod events at coastal resorts, even taking a job in Skegness. But there was plenty going on in Leicester. Wednesday at Il Rondo, in Silver Street, was Mod night, on Sunday, Mod music was played at The Palais de Danse, in Humberstone Gate, and the Casino Ballroom, in London Road, held regular live events. Music was the lifeblood of the scene. All-night dances, or parties were often fuelled by the use of amphetamine-based drugs. Some were known as blues, or purple hearts.

John says: “People were taking them because, if you didn’t there was no way you would last the amount of time you were awake for.”

“The main thing was the music,” says Chris. “It was so new and fresh.”

John says: “There were certain songs that were important to us, for example the Sir Douglas Quintet’s She’s About a Mover and Louie Louie, by the Kingsmen.”

The fashion and hair styles still have a huge influence today. Chris has been a barber for 36 years and now has a shop, in Northampton Street. But when he needed a Mod cut back in the 60s, there was only one place to go.

The Who in the mid 60s. My Generation, one of the best records of all time!!

“Everybody went to Ron’s, in Church Gate. It is still there. At the time, there was a look that was something close to how Paul Weller wears his hair now. Another was how Roger Daltry (singer in The Who) wore his, with a parting, although some people just wanted a close-cut, clean look. Mods felt the way they looked set them apart from the rest. Attention to detail was vital. Clothes would be made-to-measure and tight fitting. Shirts and suits would be sent to the tailor for more buttons to be added or taken away, depending on the mood. We’d have bigger vents put in or more buttons put on our shirts, just to make them different. We were always trying to stay one step ahead,” says Chris.

Ron’s Hair Stylists on Churchgate, still going today!!

Having such smart clothes proved a problem motoring around town on a scooter. A US Army fishtail parka was ideal for keeping clean on the move.

John says: “I had a parka and a mohair suit – well, several. We were always buying clothes, trying to have something new and to stay ahead of everyone else.”

Mod parka. A photo I took at the same exhibition in Northampton.

Chris says: “I never really got into the suit thing. Lots of people did though. On a Saturday, there was Jackson’s the Tailors, in Gallowtree Gate, and Burton’s, in Church Gate, which would have queues outside all day from the moment they opened, with people collecting clothes they had ordered, or being measured up for something. Jackson’s was seen as a cut above the others because the staff would offer advice to the customers. Personally, I preferred wearing Levi Jeans, desert boots and a Ben Sherman shirt rather than a suit. I wanted to feel comfortable. Also jumpers with targets on, or shirts similar to those Roger Daltry was wearing at the time. I bought an overcoat from Irish for £22. That was four weeks wages to me. I have still got it.”

By 1967, the Mod scene was changing. Some were moving away from the slick looks and sounds and moving into psychedelic music.

“They were what we called the ‘flower children’, says John. “They were getting in to what became the hippy thing. I guess bands like The Who and Small Faces had become more psychedelic, particularly the Small Faces with their album Ogden’s Nut Gone Flake. I moved on to other things but I have never stopped feeling that I am a Mod. Even now, I’m still a Mod. I love the Mods.”

Some stuck to their cause of being a Mod and others became interested in the skinhead scene, which was emerging in the late 60s.

Chris, a married dad of three, remembers: “I was working in Skegness in 1969 and I could still see running battles between Mods and rockers. I went on to become interested in other things, but years later I was thinking about the look and how much I enjoyed wearing the clothes, so I went back to it.

“So now I wear a Ben Sherman, Levi jeans and desert boots. I love it, and the music, of course.”

In 1979, The Who brought out the movie Quadrophenia. It told the story of the Mods, their clashes with rockers, the girls, the drugs, the parties. The film was to coincide with and widen the impact of a Mod revival, which had started in London a few months earlier.

Chris said it was very true to life.

“It’s pretty close,” he says. “Particularly a scene in Brighton as Jimmy (Phil Daniels) walks along the seafront with all the other Mods. Somebody asks him what the best thing about being a Mod is. He says something like ‘being here, amongst all this’. And it was spot on. That buzz, the buzz of being part of it at that time, that is exactly how being a Mod felt.”(Mark Charlton Leicester Mercury 2010)

The press invented the clash between Mods and Rockers and then everyone believed it! It was propaganda on the scale of Goebbels!

Read more: http://www.leicestermercury.co.uk/Lost-Tribes-Leicestershire-Mods/story-12092027-detail/story.html#ixzz3FkFGmKii

Common Denominators Among Protests in Many Countries

Eric Koch's avatarSketches

ProtestersShared symbolism of global youth unrest.

…It is not about poverty, say protesters, it is about corruption, the sham nature of democracy, clique politics and an elite prepared to grab the lion’s share of the wealth generated by economic development.

Just as in 1989, when we found that people in East Europe preferred individual freedom to communism, today capitalism is becoming identified with the rule of unaccountable elites, lack of effective democratic accountability, and repressive policing.

And what the events of the last three years have shown is that perfectly ordinary people, with no ideological axe to grind, have found the means to resist it.

Source: Paul Mason, BBC, June 26

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My Favourite Albums of All Time (Part One)

This is a tricky one. I’ve never been that impressed with ‘best of’ lists but I found myself sitting in a hotel room listening to music on my phone and I began thinking about what my favourite (and most influential) albums of all-time were. I say influential because, as some of you know, I am a musician and song-writer who has followed in the footsteps of numerous greats. It’s a hard choice but here’s my favourite 10. I’ve limited myself to two albums by the same artist or else they would probably be all by Bob Dylan ! I also realise, having completed the list, that, with the exception of the first 5, the rest are in no particular order. I’m also aware that there are countless others that could, and probably should, be included. Alright, it’s a stupid idea but here it is!

1. Highway 61 Revisited by Bob Dylan.

Highway+61+Revisited+Bob+Dylan++Highway+61+Revisite

Okay, what can I say about this album apart from the fact that it is probably the most inspired piece of work I have EVER heard (notice the Dylanesque emphasis) and I’m not just talking about music! I have read reports about the session and all participants agree that something very special happened here. It contains, in my opinion, the greatest rock song of all time “Like a Rolling Stone” but this is not really the essence of the album. It stands apart and, indeed, was produced by a different person from the rest of the record. The remainder contains Dylan at his most aggressive and elusive best. The most interesting song, again in my opinion, is Desolation Row, a surreal trawl through 20th Century culture and ideas. “Ezra Pound and T.S. Eliot fighting in the captain’s tower, while calypso singers laugh at them and fishermen hold flowers”. This isn’t just poetry and music it is an assault on the senses and intellect! “The Agents” and “The Superhuman Crew” check to see that no one is escaping to Desolation Row. The famous voice that people either love or hate is at it’s expressive best. Like many albums on my list this one is unique. There was nothing like it before and there’s been nothing like it since. Even the titles of the songs were a new departure with weird names like “Queen Jane Approximately”, “Just Like Tom Thumb’s Blues” and “Ballad of a Thin Man” that seemed to have nothing to do with the lyrics of the songs but probably did have. Pop music had found Symbolist poetry and the kids loved it!! (Well, this one did). It stands alone and sounds forever modern and archaic at the same time. Dylan himself has said that he had no idea how he wrote the songs and wouldn’t be able to do them now. The musicianship is impeccable especially the electric guitar playing of Mike Bloomfield and the acoustic lead of Charlie McCoy imported especially from Nashville for just one track!

2. The Songs of Leonard Cohen220px-SongsOfLeonardCohen

If Bob Dylan in the mid sixties was on an amphetamine fueled creative voyage into oblivion Leonard Cohen was on a quietly mannered journey back from it. This album emerged in 1968 and gradually became a bedsit legend as many sad young men and women took the songs to heart. Okay, it has been called music to slit your wrists to and Cohen’s voice has probably been even less complimented than Dylan’s but to those in the know this is an album of beautifully crafted songs whose underlying message is surprisingly optimistic completely unlike the eternal whinging of say Morrissey and the Smiths who actually DID create music to slit your wrists to. Cohen’s songs deal with ideas that had seldom been dealt with by popular music before. Despair, spirituality, sexual love and he wrote like a real poet which of course is what he was. He was also a well known novelist before he became a singer and a songwriter. A very different pedigree to most of the pop singers and rock and rollers at the time. He was a remarkable performer though and managed to follow Jimi Hendrix at 4 in the morning at the 1970 Isle of Wight Festival and still get a standing ovation. Producer Bob Johnson was so impressed with him that he gave up producing and joined his band as a keyboardist. This was his first album and contains classics like “Suzanne” and “Hey That’s No Way to Say Goodbye”. My favourite is “The Stranger Song” that manages to evoke feelings of loss, alienation and redemption. ” And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter. Like any dealer he was watching for the card that is so high and wild he’ll never need to deal another.He was just some Joseph looking for a manger”. It also has his trade mark guitar ripple which is quite difficult to do. The perfect song for existentialists.

3. The Velvet Underground & Nico

The Warhol Banana cover is more well known but this was the original cover in the UK.

The Warhol Banana cover is more well known but this was the original cover in the UK. The record label is wrong. It should be black.

If Leonard Cohen was the poet laureate of despair and alienation the Velvet Underground were like a sound track to the heroin drenched ravings of William Burroughs in “The Naked Lunch”. Here we have tracks like “Heroin”, “The Black Angel’s Death Song” and “Waiting for the Man” complete with drones and excruciating feed back. This is like the antithesis of pop music, both disturbed and deranged. Not surprisingly it was neither played on the radio nor bought in any quantity by the general public at the time. It has since of course been cited as one of the greatest records of all time and was a massive influence on punk rock. Famously produced by Andy Warhol (or should that be non-produced as he knew nothing about music or record production!) it also contained some sweet ballads dealing with wholesome events like “All Tomorrow’s Parties”, “Femme Fatale” and “Venus in Furs” that reference both mental insecurity and sado-masochistic sex. Not your typical pop song.! This is a truly adorable record that managed to both scare and make me smile. Lou Reed thinks that if it had NOT been produced by Warhol it might have sold a lot more as he was so universally detested at the time (Warhol that is. Lou Reed has only become detested more recently!) and his name on the record put people off. On the other hand it would never have been released as it is without his influence. Some PROPER record producer would have cleaned it up and totally ruined it.

4. Strange Days by The Doorsfreecovers.net

You may wonder why this record by the Doors is so high up the chart and not their dazzling first LP. Well, the answer is simple. Apart from a couple of singles like “Light My Fire” I missed the first one and went straight into “Strange Days” which I think is absolutely brilliant. The sound of the Doors is wonderful and the quality of Jim Morrison’s voice is just perfect. He described it as “sick crooning” as he had based it on the sound of Frank Sinatra. Mind you, he doesn’t sound much like Frank when he bellows out “Cancel my subscription to the Resurrection!!” He was a great lyricist who raided the poems of William Blake and created something new. The final song “When the Music’s Over” is monumental and gives the impression of spontaneity and improvisation. Morrison introduced performance poetry to pop music and created the way for great artists like Patti Smith. I just love the line “Before I sink into the big sleep, I want to hear the scream of the butterfly”. It has been said by some critics that this album is not as good as the first and they used up all their best songs on that one. I disagree, I think this is just as good and,in my mind, perhaps even better. Mind you, I also love “Waiting for the Sun” and even the song “Hello, I Love You” which attracted some derision at the time because it was seen as cynically commercial (and plagiarised The Kinks)! I guess the Doors can do no wrong for me!

5. Revolver by The Beatles220px-Revolver

In a similar way that I missed the first Doors album I also missed “Rubber Soul” by the Beatles. If I hadn’t have done it would probably have been my favourite Beatles record. As it is, I didn’t listen to it in it’s entirety until years later! However, “Revolver” still stands up as the most ambitious Beatles record until that date. “Sgt. Pepper” is probably more ambitious but it is not as interesting, in my opinion, with the exception perhaps of “Day in the Life”. “Revolver” totally knocked my socks off. From the opening count-in of “Taxman” to the wailing drones of “Tomorrow Never Knows” I was captivated. This was music I had never heard before and I loved it! It also had the first real use of Indian music. Sure, George had used the sitar on “Rubber Soul” but here we have a full Indian ensemble including tabla with George crooning mystically over the top of it. Totally brilliant!! There is also the first use of experimentation with the recording of reverse guitar tracks and tape loops. The Beatles are growing up and trying new things! This record probably has the Beatles playing together at their best. George’s lead guitar playing has improved and changed considerably. Ringo’s drumming has never been better. John and Paul’s voices are perfectly matched. It is interesting that in the same year that they gave up playing live they produced their tightest recordings ever. Songs like “And Your Bird Can Sing” and “She Said, She Said” are miniature gems of great writing and playing. Oh, and the sleeve’s pretty cool as well!

Overcoming the Cultural Crisis by Otto Gross (1913)

Front cover of the German "Die Aktion&quo...

Front cover of the German “Die Aktion” from 1914. Illustration of Charles Péguy’s on the occasion of his death made by Egon Schiele (Photo credit: Wikipedia)

The psychology of the unconscious is the philosophy of revolution: i.e., this is what it is destined to become because it ferments insurrection within the psyche, and liberates individuality from the bonds of its own unconscious. It is destined to make us inwardly capable of freedom, destined to prepare the ground for the revolution.

The incomparable revaluation of all values, with which the imminent future will be filled, begins in this present time with Nietzsche‘s thinking about the depths of the soul and with Freud’s discovery of the so-called psychoanalytic technique. This latter is a practical method which for the first time makes it possible to liberate the unconscious for empirical knowledge: i.e., for us it has now become possible to know ourselves. With this a new ethic is born, which will rest upon the moral imperative to seek real knowledge about oneself and one’s fellow men.

What is so overpowering in this new obligation to appreciate the truth is that until today we have known nothing of the question that matters incomparably above all others – the question of what is intrinsic, essential in our own being, our inner life, our self and that of our fellow human beings; we have never even been in position to inquire about these things. What we are learning to know is that, as we are today, each one of us possesses and recognises as his own only a fraction of the totality embraced by his psychic personality.

In every psyche without exception the unity of the functioning whole, the unity of consciousness, is torn in two, an unconscious has split itself off and maintains its existence by keeping itself apart from the guidance and control of consciousness, apart from any kind of self-observation, especially that directed at itself.

I must assume that knowledge of the Freudian method and its important results is already widespread. Since Freud we understand all that is inappropriate and inadequate in our mental life to be the results of inner experiences whose emotional content excited intense conflict in us. At the time of those experiences – especially in early childhood – the conflict seemed insoluble, and they were excluded from the continuity of the inner life as it is known to the conscious ego. Since then they have continued to motivate us from the unconscious in an uncontrollably destructive and oppositional way. I believe that what is really decisive for the occurrence of repression is to be found in the inner conflict … rather than in relation to the sexual impulse. Sexuality is the universal motive for the infinite number of internal conflicts, though not in itself but as the object of a sexual morality which stands in insoluble conflict with everything that is of value and belongs to willing and reality.

It appears that at the deepest level the real nature of these conflicts may always be traced back to one comprehensive principle, to the conflict between that which belongs to oneself and that which belongs to the other, between that which is innately individual and that which has been suggested to us, i.e., that which is educated or otherwise forced into us.

This conflict of individuality with an authority that has penetrated into our own innermost self belongs more to the period of childhood than to any other time.

The tragedy is correspondingly greater as a person’s individuality is more richly endowed, is stronger in its own particular nature. The earlier and the more intensely that the capacity to withstand suggestion and interference begins its protective function, the earlier and the more intensely will the self-divisive conflict be deepened and exacerbated. The only natures to be spared are those in whom the predisposition towards individuality is so weakly developed and is so little capable of resistance that under the pressure of suggestion from social surroundings, and the influence of education, it succumbs, in a manner of speaking, to atrophy and disappears altogether – natures whose guiding motives are at last composed entirely of alien, handed-down standards of evaluation and habits of reaction. In such second-rate characters a certain apparent health can sustain itself, i.e., a peaceful and harmonious functioning of the whole of the soul or, more accurately, of what remains of the soul. On the other hand, each individual who stands in any way higher than this normal contemporary state of things is not, in existing, conditions, in a position to escape pathogenic conflict and to attain his individual healthi.e., the full harmonious development of the highest possibilities of his innate individual character.

It is understood from all this that such characters hitherto, no matter in what outward form they manifest themselves – whether they are opposed to laws and morality, or lead us positively beyond the average, or collapse internally and become ill – have been perceived with either disgust, veneration or pity as disturbing exceptions whom people try to eliminate. It will come to be understood that, already today, there exists the demand to approve these people as the healthy, the warriors, the progressives, and to learn from and through them.

Not one of the revolutions in recorded history has succeeded in establishing freedom for individuality. They all fell flat, each time as precursors of a new bourgeoisie, they ended in a hurried desire to conform to general norms. They have collapsed because the revolutionary of yesterday carried authority within himself. Only now can it be recognized that the root of all authority lies in the family, that the combination of sexuality and authority, as it shows itself in the patriarchal family still prevailing today, claps every individuality in chains.

The times of crisis in advanced cultures have so far always been attended by complaints about the loosening of the ties of marriage and family life … but people could never hear in this “immoral tendency” the life affirming ethical crying out of humanity for redemption. Everything went to wrack and ruin, and the problem of emancipation from original sin, from the enslavement of women for the sake of their children, remained unsolved.

The revolutionary of today, who, armed with the psychology of the unconscious has a vision of a free, happy future for the relationship between the sexes, fights against the most primal form of rape, against the father and against father right. The coming revolution is the revolution for mother right.* It does not matter under what outward form and by what means it comes about.

(From Die Aktion, April 1913, reprinted in Anarchism…, vol.1 p281, Robert Graham.)

Otto Gross Quote

The psychology of the unconscious is the philosophy of revolution.

MammenInCafe

The Decline of the 1960s Counterculture and the Rise of Thatcherism | Kenny Wilson

In the past few weeks I have been reading widely about the 1960s Counterculture both here and in America. This interest was inspired by two things. Writing an account of My Life in Music, which included my experience of the Counterculture in Leicester, and visiting an exhibition of sculptures by Francis Upritchard at Nottingham Contemporary and seeing James Riley’s talk about the perceived end of the Counterculture into “bad craziness” in the early 1970s.

My original piece was just based on memory with no reference to any other sources but I was struck by how close my experience was to the sequence of events described by James Riley. I was also intrigued by Francis Upritchard’s description of hippies in New Zealand when she says that “all the things that hippies hoped would happen, or felt might happen, didn’t.” In one sense her exhibition is about the failure of the 1960s and 70s counter-culture that is still celebrated at festivals – and its gaudy, individualistic “alternative” aftermath.

At this point it might be worthwhile to describe what I think the Counterculture is (or was). The Counterculture appeared in the 1960s both in the UK and America and became influential throughout the Western World and also in Eastern Europe. It’s protaganists were mainly young but there were significant influences from older artists and intellectuals. It’s not really clear why or how it came about but it epitomised what became known as the Generation Gap. This could be described as the difference between people who became adults before World War 2 and those who were adults after it.

Jeff Nuttall in his seminal book Bomb Culture(1968)  thinks that alternative attitudes in the UK grew out of the shadow and fear of the H Bomb. As the Cold War developed there was a constant reminder with the proliferation of nuclear weapons that the World could end any minute. This lead to massive demonstrations in the UK organised by CND (The Aldermaston Marches). Although these were attended by many thousands of people it became clear by the early sixties that the government had no intention of disarming or stopping the arms race. This lead to disillusionment and a feeling of alienation. Many young people began to reject the growing Affluent Society and started creating their own culture much to the bewilderment of the older generation who, as Prime Minister Harold Macmillan said at the time, had “never had it so good”. A youth subculture emerged called The Beatniks by the press. They grew their hair, played trad jazz and folk music, frequented coffee bars and hitchhiked around the country, influenced by American beat writers like Jack Kerouac. In the UK this is where the Counterculture had it’s roots. Here is an unintentionally hilarious TV report about Beatniks in Cornwall in 1960:

Of note in this film is the playing and singing of Whiz Jones. You may think he is influenced by Bob Dylan but you’d be wrong. It was two years before Dylan’s first album was released, he hadn’t even arrived in New York by then. The guitar and singing style was undoubtedly learnt from American folk singer Ramblin’ Jack Elliot who was in England at the time and influenced a whole generation of British guitarists including Donovan (he was also a big influence on Bob Dylan!).

The roots of the American Counterculture are slightly different. Although there was the same fear of nuclear annihilation especially with the Cuban Missile Crisis of 1962 when the Soviet Union based nuclear missiles in Cuba within easy reach of the USA. Another factor was the Civil Rights Movement that was working to end racial segregation in the South and also the Vietnam War especially when conscription was accelerated from 1964. Out of this milieu a counterculture was created that eventually became what are known as Hippies. This movement had a profound effect both in America and the rest of the World during the 1960s and it’s legacy has continued until now as I hope to demonstrate.

The UK and American countercultures influenced each other. Initially, the British counterculture imitated the Americans especially in the areas of poetry and the creation of Underground newspapers and magazines. As time progressed the British started influencing the Americans especially in the areas of art, fashion  and music. The Beatles became the most popular and influential group in the World and embraced many countercultural ideas like drugs, mysticism and experimentalism. Paul McCartney was closely linked to the English Underground and was a main financier of the International Times, an important countercultural paper that had a wide distribution. Pink Floyd emerged out of the British Underground with their take on psychedelic rock and, again, eventually became one of the most popular groups in the World.

The name Underground started to be increasingly used for the Counterculture although, really, this was a misnomer. The main players and self styled leaders were media savvy and natural experts in self promotion.  (This was especially true of American Yippies Abbie Hoffman and Jerry Rubin. They achieved international fame at the Chicago Conspiracy Trial where the American justice system managed to appear both brutal and ridiculous.  In a rare display of humour a member of the conventional left described their antics as Groucho Marxism!) It never really became underground until the 1970s when the mainstream media and press began to lose interest in it.

The Underground did not have a coherent political agenda. Although there was much talk of Revolution it was not clear what this really meant. This was true both in Britain and America. It definitely did not mean the same thing as what the old left referred to . The Communist states were seen as no better than the Capitalist ones and probably worse. Even Cuba, apart from the love for Che Guevara (who in the spirit of rock n roll died young and left a good looking corpse. He became the poster boy of the Revolution with his long hair and revolutionary beret!) was treated with suspicion. There was no strict ideology but general beliefs in the use of drugs (particularly marijuana and LSD), rejection of alcohol, free love, anti-war, anti-materialism, anti-consumerism, individualism, creativity, opposition to alienating work, rejection of television and advertising, caring for and living with the natural environment etc. The list could get very long and forms a general philosophy which is hard to formally categorise. The Revolution consisted of all these things. Slogans appeared that would have done justice to the best copywriters of Madison Avenue like “make love not war”, “turn on, tune in, drop out” and “do your own thing”.

So, why did the Revolution fail and where did it go wrong? Conventional wisdom would say that three events in 1969 caused a massive shift in attitudes. The infamous Charles Manson murders, The Woodstock Festival and the killing of a member of the audience by Hell’s Angels at Altamont Free Festival. The death of 60s idealism and the lost innocence of rock n roll is the theme of Don McLean’s song American Pie.

Charles Manson and his Family inverted the ideas of a hippy commune and went on a killing spree based on a psychotic interpretation of the Beatles White Album.

Woodstock is widely seen as the epitome and apotheosis of the Love Generation but can also be seen as the start of a megalithic, bloated and commercial music industry involving large scale festivals and stadium gigs. In order to attract popular acts large amounts of money were paid. Jimi Hendrix is reputed to have received $50,000, an incredible amount at the time equivalent to more than half a million now. Joan Baez virtually destroyed her credibility by accepting $10,000 even though she was using much of her own money to support radical causes. The festival made a colossal loss although that was recouped by subsequent sales of the film rights and DVD. A very interesting book about the making of this festival is Barefoot in Babylon by Robert Stephen Fitz. Rather than the music being an expression of the Counterculture a new commercial aristocracy was formed. The divorce between the music and the Counterculture was perhaps most symbolically shown when Pete Townshend of the Who knocked Abbie Hoffman off the stage with his guitar when Hoffman invaded the stage and tried to make an impromptu speech. It affected both people for years afterwards and effectively ended Hoffman’s political career. The clown prince of politics had been made to appear ridiculous and ineffective! Pete Townshend showed he wasn’t too enamoured with peace and love as this audio clip shows.

To deflect criticism of the cost of tickets on their 1969 tour of America the Rolling Stones gave a free concert at Altamont Speedway in California. This remarkably badly organised festival has become immortalised in the film Gimme Shelter (No, the Revolution wasn’t televised but it was often caught on film, which provided a good source of income from “Free” Festivals. The Stones had already done this with the Hyde Park Free Festival). The general air of chaos and violence is palpable with at least three deaths and a murder.

However, I don’t subscribe to conventional wisdom. Nor do I think that the Counterculture ended in 1969. As James Riley has said these events could just be coincidence and don’t signify anything. Personally, I think that after 1972 the Counterculture actually did go Underground. It was no longer really visible and it also became separated from the Music Industry which had become a large and profitable globalised industry. The press and media also lost interest  until it gained notoriety again in the 1980s as the Peace Convoy and the New Age Travellers. This culminated in the savagery and brutality of mainstream culture under Thatcherism at the Battle of the Beanfield. This is an Observer article about this event twenty years later:

* Tony Thompson, crime correspondent
* The Observer, Sunday 12 June 2005

It looked just like a carnival – at first. The weather was sunny and music played as the 140 vehicles set off towards Stonehenge. The 600 or so Travellers were on their way to attend the annual free festival on squatted land beside the ancient stones.

A few hours later the convoy had been ambushed by more than 1,300 police officers; dozens of Travellers were injured, all but a handful were arrested, and every one of their vehicles was destroyed.

This month marks the 20th anniversary of what has become known as the Battle of the Beanfield. Despite four months’ planning, the police operation to stop the convoy was a shambles. Faulty police intelligence suggested the Travellers were armed with chainsaws, hammers, petrol bombs and even firearms. All this information was false.

Plans to stop the convoy near the A303 collapsed when a convoy outrider spotted the roadblock and directed the travellers down a side road, where they encountered a second roadblock. After a first wave of violent assaults by the police, in which windscreens were smashed and the occupants dragged out screaming, most of the vehicles broke into a neighbouring field, derailing the police plan further.

For the next four hours there was a standoff, while Assistant Chief Constable Lionel Grundy, the officer in charge, insisted all Travellers had to be arrested.

The final assault began at 7pm, by which time all the officers had changed into riot gear. Pregnant women were clubbed with truncheons, as were those holding babies. The journalist Nick Davies, then working for The Observer, saw the violence. ‘They were like flies around rotten meat,’ he wrote, ‘and there was no question of trying to make a lawful arrest. They crawled all over, truncheons flailing, hitting anybody they could reach. It was extremely violent and very sickening.’

When some of those remaining tried to get away, driving their vehicles through the beanfield, the police threw anything they could lay their hands on – fire extinguishers, stones, shields and truncheons – at them in order to bring them to a halt. The empty vehicles were then systematically smashed to pieces and several were set on fire. Seven healthy dogs belonging to the Travellers were put down by officers from the RSPCA. In total, 537 people were arrested – the most arrests to take place on any single day since the Second World War.

All those arrested were charged with obstruction of the police and the highway, but most of the charges were dismissed in the courts. The Travellers’ unexpected saviour was the Earl of Cardigan, whose family owned the forest where the convoy had stayed the night before. Cardigan had tagged along out of interest, and his descriptions of the violence prevented what might otherwise have become a major miscarriage of justice.

Cardigan recalled that in many cases ‘the smashing up of the vehicles and the instructions to ‘Get Out! Get Out! Get Out!’ and hand over your keys were given simultaneously and therefore there was no chance to understand what was being shouted at you, and to comply before your vehicle started disintegrating around you with your windscreen broken in and your side panels beaten by truncheons and so on.’

It remains a mystery why the police felt compelled to use such violence. With evidence that radio logs of conversations between officers on the day have been altered, the full story may never be known.

‘The Battle of the Beanfield remains a black day for British justice and civil liberties,’ says Andy Worthington, whose book on the event is published this week. ‘From the anti-Traveller legislation of the 1986 Public Order Act and the 1994 Criminal Justice Act to the current hysteria surrounding Gypsy and traveller settlements, the repercussions are still being felt.‘”

The 1986 Public Order Act caused many New Age Travellers to leave England to more tolerant places like Spain and New Zealand. Interestingly, the hippies that Francis Upritchard came across may have been refugees from this time.

Margaret Thatcher was an enigma. Behind the authoritarian Iron Lady facade she wasn’t even really a Tory. She is considered to be the first of what are called conviction politicians. She appeared motivated by a mission and set of beliefs. Tony Blair and David Cameron have also used this approach and in some ways are seen as her successors. Thatcher’s beliefs had more to do with 19th Century Economic Liberalism than traditional Tory concerns. Her mission was to restore the British nation to it’s former glory and roll back the tide of National Debt, Trade Unions holding the country to ransom and encourage Free Trade and Private Enterprise. She famously hated the sixties and virtually saw that period as the main cause of the country’s woes with it’s strong Trade Unions, Nationalised industries and Social Liberal values.

Margaret Thatcher was ruthlessly effective and she chose her battles well. By defeating the Miner’s Strike and legislating against the Closed Shop she seriously reduced the power of the Trade Unions. At the same time she closed down most of the old heavy industries like steel, ship building and coal mines. By deregulating the banks, Privatising Nationalised businesses like energy and telecommunications and giving council house tenants the Right to Buy she effectively created a new capitalist society which boomed on the back of investments, services and rising house prices. It seemed to work so well that with the fall of the Berlin Wall in 1989 and the end of the Cold War political economist Francis Fukuyama declared “What we may be witnessing is not just the end of the Cold War, or the passing of a particular period of postwar history, but the end of history as such…. That is, the end point of mankind’s ideological evolution and the universalization of Western liberal democracy as the final form of human government.”  Mind you, considering events that happened in 2008, this was probably a bit premature!

But, I would still contend that the ideas of the 60s Counterculture permeated this period. As I have already said, Hippie ideals were resurrected with the Peace Convoy which was attracting many people to it, especially the legion of unemployed created by Thatcher’s early policies. But the ideas had also influenced the mainstream. The new bankers and brokers of the “Greed is Good” years were not the conservative bowler hatted bores of yesteryear but cocaine sniffing, champagne swilling hedonists who roared round London in new Porsches. They were into conspicuous consumption and, dare I say, a rock n roll life style. Also, the type of entrepreneurs that Thatcher was trying to encourage already existed in businesses started in the 60s. Although not British, clothing store chain The Gap, started as a “head shop” in San Francisco. Global business Time Out started when Tony Elliot took over the listings page from International Times because no one else could be bothered to do it! It became an immensely profitable business. Perhaps the most well known business with counterculture roots was Richard Branson with his Virgin brand. This started off as a mail order record company in the late 60s. All of these businesses brought a more relaxed, casual style and in the case of Branson a kind of celebrity status that would never have happened in the past. Basically, countercultural ideas had been assimilated by the mainstream.

However, the real Underground continued both in the Peace Convoy, the Greenham Common Women’s Peace Camp and more recently with the Occupy Movement which has become a global phenomenon. I will say more about this later!


James Riley’s talk

Here is a link to James Riley’s superb talk:

James Riley’s talk